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Camera supports compared
Holding a camera steady is essential if you want to make the most of your camera and lens quality.
Words & Pictures Peter Bargh
We spend loads of money on high-tech cameras and lenses yet there's often little consideration given to how we support the camera when taking a photograph. It doesn't matter how good the lens is, how sharp the film is or how high the CCD resolution is if we get camera shake, because we couldn't hold the camera steady.
Why you'd use a support
Prevent camera shake
As we've stated above the main reason is to prevent camera shake. This occurs when the shutter speed falls below an acceptable hand holding speed. As a guide if the shutter speed is lower than the focal length of the lens being used you need a support. Therefor a 135mm lens needs a speed of 1/250sec to ensure the shots will be free from camera shake and a 28mm wide-angle would need a 1/30sec shutter speed or faster.
Self portraits
You may want to be in the photograph yourself. If your traveling alone you could frame up the shot of a famous location and then nip around the front of the camera and be in the shot yourself. You may want to be in the group shot too. It's all possible if the camera is on a support.
Increase depth-of-field
Normal automatic cameras will adjust the shutter speed and aperture ensuring the shutter speed is always fast enough to hand hold. This means the aperture will be opened to the widest setting and you'll end up with shallow depth of field. By switching the camera to manual and setting a small aperture you'll increase depth-of-field but introduce a slow shutter speed which will need camera support.
Rapport with your model
Studio photographers use a tripod so they can gain rapport with the model. You can keep the camera on the tripod ready for shooting and walk over to your model to brush off a hair on the shoulder, rearrange a fringe or suggest a pose. It's also useful because you can stand up and chat to the model knowing the camera is still perfectly aligned.
Reaching awkward spots
Some tripods have special low lever legs, reversible columns or macro arms allowing you to get the camera to almost ground level. Doing this with the camera in your hand could result in cramp, wet clothing or sometimes be physically impossible.
There are a many types of gadget available to offer a rigid support in a variety of locations which we'll cover in this guide, but first a few things you can do without a support, using natural objects that are around us.
Use a wall or fence | ![]() |
Use your camera bag | ![]() |
| Use a tree A tree can often assist in landscape photography. If the stump is wide make sure the lens isn't picking up the edge in the frame. If it is move the camera forward. Again use a plastic bag if you don't want to mark the camera from moss or lichen that may be growing on the tree. | ![]() |
| Use your body If you are agile enough to crouch down you can make a good support out of your body. Here I braced the camera on my knee for a solid support. | ![]() |
Use your car | ![]() | ![]() |
The above are all temporary measures, but nothing beats having a proper support and these come in all shapes and sizes.
Table top tripod | ![]() |
| Minipod This is a single pole with three legs that slip out of the bottom. The design makes it incredibly compact but it's not as sturdy if you are mounting a camera with a longer lens as it can easily topple over. Some photographers prevent this by placing a weight on the legs. | ![]() |
Compact tripod | ![]() |
Full size tripod | ![]() |
Monopod | ![]() |
Clamp | ![]() |
BeanbagThis interesting option has many versions and was first developed from a bag stuffed with dry beans, but newer ones have been made lighter using polystyrene balls. Jessops produced a novel version called a vacuum cushion that sucked out all the air so the bag became hard and hugged and gripped the camera that was placed on it. The one here even has a tripod thread! |
| Spike Wood screws and ground spikes are available with a tripod thread on the other end. You simple find a suitable place and either screw into a tree stump, fence or wooden support and then attach the camera. Not very practical and could damage the item you're screwing into. The ground spike is more environmentally friendly but does mean your right down on the ground so a waist level finder, rotating LCD finder or right angle finder are necessary unless you're agile. |
| Suction pod A large suction base that has a vacuum pressure style seal to make it really suck onto a glass window, polished table top or metal filing cabinet. Despite them feeling really secure you always have that doubt that it's going to release pressure and fall off damaging the camera. It's a very rigid support and great providing you hold onto the camera if you lack the confidence of its grip. | ![]() |
Who's who in tripods & supports
| Makes | Table top | Minipod | Compact | Full-size | Monopod | Clamp | Beanbag | Spike | Suction pod |
| Benbo | |||||||||
| Cobra | |||||||||
| Cullmann | |||||||||
| Davis & Sanford | |||||||||
| Giotto | |||||||||
| Gitzo | |||||||||
| Hakuba | |||||||||
| Hama | |||||||||
| Jessop | |||||||||
| Kaiser | |||||||||
| Linhof | |||||||||
| Majestic | |||||||||
| Manfrotto | |||||||||
| Pyser | |||||||||
| Slik | |||||||||
| Soligor | |||||||||
| Ultrapod | |||||||||
| Uni-loc | |||||||||
| Velbon |
| << Guide to camera holders | Card Readers explained >> |
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