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| Category: | Architecture |
Beach Huts - close up - Move in close on the detail of beach huts for more impact.
Posted: 26th August 2010
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Jargon Buster: OffBeach huts are a popular feature of the British coastline and provide photographers with colourful detail that's often overlooked. While many of us shoot with a wide angle and get the huts dramatically stacked in a row under a broody sky there's an alternative option of moving in close for a more abstract viewpoint, as we will explain using these beach huts in Southwold as our subject. Gear You can use more or less any lens for this technique as long as it has a reasonable close focus and that includes any modern standard kit zoom that comes with your camera. You don't want a lens that's too wide or you'll get distortion at close range, and a lens that's too long may not give you a close enough focus point especially if the huts are arranged in a group rather than line. You don't need a tripod as the subject is static and you don't need flash because natural light will do the job. So this is a very gear light technique, although a polarising filter could help cut down reflections if the paintwork is glossy. Technique As well as being gear light this technique is quite technique light. The real technique is to open your eyes. Look closer at the detail in the beach huts. In just a small area I was able to photograph detailed padlocks, rope, knots in rope, flaky paint textures, door knobs, roof detail, panels, name signs, patterns in wood, rust and strong contrasting colours. In other beach huts you may find ornaments, flower displays, toys, cobwebbed windows, etc. The trick is when you spot some detail you like, move in close and spend time framing the photo so the elements balance well. Make use of thirds placing important elements on the third intersections. Don't be afraid to crop tightly and miss sides or the top of the hut. Sometimes a small panel of flaky paint will make a great texture photo. This could even be used as a blending layer to a photo to give it a grungy feel. Use a polarising filter on paint work, especially on sunny days and when the paint is glossy. Choose areas with contrasting colours and use them to divide the photo. Shooting on a sunny day will give a more contrasty result as hard shadows will appear. This can make a photo of a close up look more 3 dimensional but you do have to be careful with exposure or you will end up with either blown highlights or deep shadows. Overcast days provide an easier option with a more balanced look to the tonal range. It's the safest option, especially if you're a beginner.  |
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