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Making a test strip - traditional darkroom ideas

Making a test strip - traditional darkroom ideas - Unless you have the insight of Mystic Meg you'll need to make a test strip to determine the correct exposure time when making an enlargement. Peter Bargh is your guide for this traditional darkroom technique.

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Category : Darkroom Printing
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Words Peter Bargh

Several factors affect the exposure time when making a print. One is the brightness of the lamp, some can very slowly start to fade as they get older. Second is the distance of the lamp from the paper, which varies depending on enlargement size. Then there's the speed of the paper, the density of the negative and the aperture you've set the lens to.

To save wasting a sheet of paper you can make a test strip using a smaller piece of the same paper first.

1 Set everything up as you intend to print - height of enlarger head on column, stop the lens down a couple of stops to the optimum aperture, usually around f/5.6. Focus the negative on the baseboard.

2 Then switch off the room light and turn on the safelight.

3 Pull out a sheet of printing paper and cut it into smaller pieces. A 10x8in can be cut into four pieces. Keep one piece out and place the others back in the light tight packing.

4 Place the sheet on the baseboard in a suitable place on the print. Try picking a spot where there's a good range of tones to assess when you've made the test strip.

5 Now get a piece of black card that's bigger than the test paper and hold it above the paper so that it prevents any light reaching the paper when the enlarger is switched on.

6 Switch the enlarger on and move the card to reveal a strip about one fifth of the area of the paper. Hold steady for three seconds and move the card to reveal another fifth of the paper and hold for three seconds. The first strip has now received six seconds. Repeat this process exposing for three seconds each time you move across the remaining three parts of the paper. The part that was first exposed will now have had a total of 15seconds exposure and gradually steps down to the last exposed strip with just a three seconds exposure. 
7 Develop the sheet in processing trays and when rinsed turn on the room light and check to see which strip looks best. It could be that the best exposure falls between two strips, one being too light, the other too dark. If this is the case, set a time that falls between the two. In our case about eight seconds would be best.

Tests strips can also be used to check how long you should burn in areas such as sky or a white dress and how long you should dodge to maintain detail in shadow areas.
When you are more experienced try using the f/stop printing method as explained in the feature in May's darkroom section.

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