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| Category: | Adobe Photoshop |
Mastering the Clone tool - a Photoshop Guide - Peter Bargh helps you learn how to use the clone tool so you can fix your digital photos with ease.
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One of the most useful tools in the digital photographer's toolbox is the Clone tool - it's also known as the Rubber Stamp or Clone Stamp. This particular tool is responsible for many photographers taking up digital imaging, because the results it can produce, in the right hands, will make your jaw drop. The first time you see bits of clutter being erased from an image, spots and blemishes being removed from your partners face or items moved and repositioned, youll be in awe. In simple terms all that happens is the Clone Stamp tool picks up, or samples, pixels from one place and drops them somewhere else. Its one of the most used devices to remove or add detail to a digital image. |
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This tutorial will take you through the basics of using the Clone tool, but also give you more advanced help to ensure your cloning skills improve tenfold.
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I've chosen what to many would be a fairly tricky image to work on, but with the right knowledge you'll see how easy it actually is. It's a shot of a sheep behind a barbed wire fence. You may have a similar shot taken at a zoo of a caged animal or a stunning piece of architecture hidden behind scaffolding, or even a famous tourist spot cluttered with people. Follow these steps on your own picture and you'll be surprised how easy it is to tidy up a messy photo. I'm using Photoshop but the tool works the same way in many other programs. |
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To use the Clone tool you place the cursor over the sample point, hold down the Alt key and click the mouse. This locks that point ready to clone. Then move the cursor to the point where you want the sample to appear and click the mouse to dump the cloned pixels. If you hold down the mouse button and drag youll paint from the sample area over the new area. There are several ways to tailor the effect of the clone tool.

For starters it acts like a brush so you can change the size and, sometimes,
shape, allowing cloning from just one pixel wide to hundreds or from neat to
a ragged shape. You can change the opacity to produce a subtle clone effect
and you can change the edge sharpness giving the clone a hard or soft (feathered)
edge. With Photoshop, and some of the more advanced editing programs, you can
even select any one of the Blend options to alter how the cloned pixels appear
on the pixels below. And, most importantly, theres a choice of how the
sample point is sampled between Clone align and Clone non-align. Select Aligned
and the sample cursor will follow the destination cursor around, keeping the
same distance away. When unaligned the sample cursor always starts from where
you initially sampled. Both choices have their advantages as you'll soon find
out.
Now to practice...where's the sheep?
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We'll take the top left first. You may think intrusions in areas of sky would be easy to clone, but thats not always the case. As tones subtly change you could easily end up with an obvious line. To illustrate this I first sampled using a hard edged brush from the point at the end of the arrow (left). I then took a sample from the same point, but used a soft brush (middle). The blend is now better, but the tone is still different. The third version is the best (right) and shows you need to sample from an area as close to the area that you're cloning over as possible. |
| When cloning an area like this it's better to select Clone Align from the menu bar. |
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| Here's what happens when clone align is not selected and you clone the wire in three sections. The clone point remains at the left spot where you initially picked up the sample. |
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| With clone align selected the sample point follows your Clone tool so the patch up job is more accurate. |
Now we move onto the face. It's fairly easy to clone over this as there's lots of irregular patterns in the wool that will look convincing when sampled. Keep a steady hand and follow patterns in the wool when cloning and select Clone non-align so you can sample from a useful point several times. |
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Can you spot any difference between the left and right shots? Look at the pattern in the sheeps wool in the area circled. Its repeated in the left shot. In the right version I sampled from a different place. In this example you have to look hard to spot it, but that could have been a real obvious cloning error on some images. |
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| Here I sampled from the edge of the rock and followed it up in the direction of the arrow. Sampling from anywhere else would have broken the rock's stratum. | ![]() |
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When cloning fine detail look around for similar areas and try and follow a path that will make the sample look natural. To show you the route to take look at the areas under the arrow shaft in the photo on the right. These are where the sample points are made and the direction of the arrow is the direction I followed. You will see I was looking to extend branches or patches of sky over the wire where appropriate. |
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You
should only need to spend 10 to 15 minutes carefully cloning and you end up
with a photo with no traces of any distracting wires...and, in Dolly's case,
she's free at last!

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