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Sigma 18-200mm f/3.5-6.3 DC OS Interchangeable Lens Review

Sigma 18-200mm f/3.5-6.3 DC OS Interchangeable Lens Review - An all-in-one superzoom lens with optical stabilisation for APS-C digital SLRs which prides a range equivalent to 27-300mm on a 35mm camera.

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Category : Interchangeable Lenses
Product : Sigma 18-200mm F3.5-6.3 DC OS
Price : £269
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Handling and features
Performance
Verdict
Specification

Sigma 18-200mm f/3.5-6.3 DC OS
Gary Wolstenholme takes a look at Sigma's optically stabilised 18-200mm lens.

Sigma's 18-200mm f/3.5-6.3 DC OS costs around £290 and sports an 11.1x zoom ratio and optical stabilisation. Sigma also make an 18-250mm f/3.5-6.3 lens, which costs around £400 and adds 50mm to the telephoto reach, making it a better specified, yet more expensive alternative.

The lens is available to fit Canon and Nikon cameras and both manufacturers make suitable alternatives. Nikon users have the choice of Nikon's 18-200mm f/3.5-5.6 AF-S DX ED VRII, which costs around £550 but adds a silent focusing motor and has a brighter maximum aperture at the telephoto end. Canon users also have another 18-200mm to choose from. Their EF-S 18-200mm f/3.5-5.6 IS USM lens has a similar spec to the Nikon optic and costs around £370.

Tamron offer a couple of different lenses in this range. The basic 18-200mm f/3.5-6.3 XR DiII lens can be purchased for around £170 but lacks optical stabilisation. The 18-270mm f/3.5-6.3 DiII VC LD does have vibration compensation and adds 70mm to the telephoto reach, but costs around £400.

Sigma 18-200mm f/3.5-6.3 DC OS: Handling and features
At 100mm long and with a diameter of 79mm, this 18-200mm is a little chunkier than your standard kit zoom, and weighing 610g it is a fair bit heavier too. This is to be expected when the huge zoom range is considered and also the build quality, which is better than you'd expect on many third party lenses of this ilk. High quality plastics have been used throughout and an attractive matt powder coating has been applied to some external parts, which finishes the lens off rather nicely. I did notice that this coating does mark easily though, showing marks from simply being removed from and inserted into a padded bag.

An internal motor powers autofocus, but is isn't one of those fancy silent ones found on Sigma's HSM lenses. As a result focusing isn't as quick as it could be, especially at the longer end of the range, and it makes slight grinding noise. The noise isn't overly disturbing though, and I soon got used to it.

The zooming action is pretty smooth, only tightening slightly at the wide end and the lens extends in two sections, almost doubling in length at maximum telephoto. The fit and finish of the lens barrel is very good, with no wobbles or creaks to report. During autofocus the focus ring whizzes back and forth as the lens locks on. It would've been nice to be able to disengage this during AF as I sometimes found it would catch my fingers.

Sigma's optical stabiliser system promises to allow sharp shots to be taken hand held at shutter speeds up to four stops slower than would be possible without help. This is a necessity with the slow maximum aperture of f/6.3 at 200mm in my opinion. I was able to take sharp shots with some degree of consistency hand held at shutter speeds as low as 1/20sec at 200mm. This is roughly four stops slower than the usual rule of thumb would allow.

Sigma 18-200mm f/3.5-6.3 DC OS: Performance
Lenses with a high zoom range like this Sigma are often a compromise of convenience over quality. Saying that, compared to other lenses of this type that I've used, the Sigma 18-200mm isn't a bad performer.

At 18mm and f/3.5 the resolution in the centre is already very good and the quality towards the edges is adequate. Stopping down improves the quality further and peak performance is achieved between f/5.6 and f/8, where the sharpness in the centre is excellent and very good towards the edges of the frame.

Zooming to 80mm causes a slight drop off in performance, but at maximum aperture the sharpness in the centre is still pretty good and the quality towards the edges is fair. Peak quality for this focal length is achieved at f/11, where the centre resolution is still good and the quality towards the edges isn't too far behind.

At 200mm, the performance in the centre and towards the edges trade places. At f/6.3 the quality towards the edge is approaching good and the centre is fair. Peak quality across the frame is achieved at f/16 for this focal length, where the sharpness across the frame approaches good levels.

Resolution at 18mm Resolution at 80mm
Sigma 18-200mm f/3.5-6.3 DC OS Resolution at 18mm Sigma 18-200mm f/3.5-6.3 DC OS Resolution at 80mm
Resolution at 200mm How to read our graphs
The blue column represents readings from the centre of the picture frame at the various apertures and the green is from the edges. Averaging them out gives the red weighted column.

The scale on the left side is an indication of actual image resolution. The taller the column, the better the lens performance. Simple.

For this review, the lens was tested on a Nikon D300 using Imatest.
Sigma 18-200mm f/3.5-6.3 DC OS Resolution at 200mm

Chromatic Aberrations towards the edges of the frame can be quite prevalent, especially along high contrast edges. Imatest recorded values exceeding one pixel width at 200mm when the lens is stopped down.

Chromatic Aberrations at 18mm Chromatic Aberrations at 80mm
Sigma 18-200mm f/3.5-6.3 DC OS Chromatic Aberrations at 18mm Sigma 18-200mm f/3.5-6.3 DC OS Chromatic Aberrations at 80mm
Chromatic Aberrations at 200mm How to read out charts
Chromatic aberration is the lens' inability to focus on the sensor or film all colours of visible light at the same point. Severe chromatic aberration gives a noticeable fringing or a halo effect around sharp edges within the picture. It can be cured in software.

Apochromatic lenses have special lens elements (aspheric, extra-low dispersion etc) to minimize the problem, hence they usually cost more.

For this review, the lens was tested on a Nikon D300 using Imatest.
Sigma 18-200mm f/3.5-6.3 DC OS Chromatic Aberrations at 200mm

Falloff of illumination towards the corners isn't really much of an issue with this lens. At 18mm and f/3.5 the corners are only 1.2stops darker than the image centre and stopping down t f/5.6 results in visually uniform illumination. At 200mm the level of falloff decreases slightly, with the corners being 0.82stops darker than the image centre. Here stopping down to f/8 results in visually uniform illumination.

As is common with high ratio zooms such as this, distortion at the wide end is quite pronounced. Here Imatest recorded 6.19% barrel distortion, which may pose issues if straight lines are important in your images. At 200mm 1.04% pincushion distortion has replaced the barrelling and should pose fewer issues. Luckily the distortion pattern is uniform across the frame, so correcting images in image editing software afterwards should be fairly straightforward.

Click on the thumbnails for a high resolution image.
Sigma 18-200mm f/3.5-6.3 DC OS @ 18mm   Sigma 18-200mm f/3.5-6.3 DC OS @ 200mm
The white window frames to the bottom left of this image taken at 18mm show clear signs of chromatic fringing.   This image taken at 200mm shows the awesome flexibility afforded by a lens with such a high zoom range.

Care may need to be taken when using this lens with the sun in the frame as the lens is fairly susceptible to flare at the wide end. At telephoto focal lengths a loss of contrast should be the worst you will encounter with light sources in the frame. A petal shaped lens hood come supplied with the lens, which does a decent job of shielding the lens from light sources out of the frame at shorter focal lengths. Unfortunately it isn't quite deep enough to provide adequate shade for the telephoto end, which is a compromise to be made with having such a high zoom range.

DxOMark provides objective, independent, RAW-based image quality performance data for lenses and digital cameras to help you select the best equipment to meet your photographic needs.

Visit the DxOMark website for tests performed on the Sigma 18-200mm f/3.5-6.3 DC OS.

Sigma 18-200mm f/3.5-6.3 DC OS: Verdict
I have to admit, I'm not normally a fan of high zoom ratio lenses due to the compromises involved. Saying that, this lens is a decent performer for this kind of lens and should please many users looking for convenience for travel or casual photography.

The optical stabiliser also works really well and adds to the value of the lens. At £290 it doesn't cost a fortune, making the lens a pretty good value choice.

Sigma 18-200mm f/3.5-6.3 DC OS: Pros
Sigma 18-200mm f/3.5-6.3 DC OSHigh zoom range
Sigma 18-200mm f/3.5-6.3 DC OSDecent sharpness at shorter focal lengths
Sigma 18-200mm f/3.5-6.3 DC OSHighly effective optical stabiliser
Sigma 18-200mm f/3.5-6.3 DC OSPrice

Sigma 18-200mm f/3.5-6.3 DC OS: Cons
Sigma 18-200mm f/3.5-6.3 DC OSFalloff in sharpness at 200mm
Sigma 18-200mm f/3.5-6.3 DC OSCA towards edges can be noticeable along high contrast edges
Sigma 18-200mm f/3.5-6.3 DC OSSlow AF at telephoto end.

FEATURES Sigma 18-200mm f/3.5-6.3 DC OS
HANDLING Sigma 18-200mm f/3.5-6.3 DC OS
PERFORMANCE Sigma 18-200mm f/3.5-6.3 DC OS
VALUE FOR MONEY Sigma 18-200mm f/3.5-6.3 DC OS
OVERALL Sigma 18-200mm f/3.5-6.3 DC OS

Sigma 18-200mm f/3.5-6.3 DC OS: Lens specification
Price £290.00
Contact www.sigma-imaging-uk.com
Filter size 72mm
Format APS-C
Construction 69.3 - 7.1 degrees
Angle-of-view 72.4° - 20.2°
35mm equivalent focal length (on APS-C body) 27-300mm
Internal focusing Yes
Image stabilisation Yes
Minimum focus 45cm
Maximum aperture f/3.5-6.3
Minimum aperture f/22-40
Weight 610g
Size 79mm x 100mm
In the box Lens Case, Lens Hood

The Sigma 18-200mm f/3.5-6.3 DC OS costs around £290 and is available from Warehouse Express here:

Sigma 18-200mm f/3.5-6.3 DC OS for Canon
Sigma 18-200mm f/3.5-6.3 DC OS for Nikon
Sigma 18-200mm f/3.5-6.3 DC OS for Sigma

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