At this time of year, we start to get the first frosts of the season. Frost can be a really pretty photographic subject, whether it is captured sparkling in the sunlight or before the sun is up fully on the way to work.
A macro lens will be great for this kind of work such as the Tamron 55-200mm Di II LD macro
Here are a few tips for creating great frosty images:
Stay Warm -
The most important part about photography at this time of year is – rather obviously, to be prepared for the cold! Warm clothing, preferably layered, and a hat; if you're cold, your mind is more on how cold you are rather than the pictures you're looking for. Remember too, that when you're standing around looking for photographs, you will get colder quicker, so err on the side of too much, rather than too little warm clothing. Your camera battery won't last as long in sub-zero temperatures either, so make sure you have a spare with you, and that they're fully charged. Try keeping the spare in an inside pocket, rather in your camera bag, as your body warmth will keep the charge in the battery for longer.
Get Out Early -
Frosts are typically better early in the day, often before the sun hits the frost and starts to thaw it; which means a prompt start, but one of the benefits of the winter months, is that at least sunrise is at a more sociable time than in the summer! Head for areas of open space and rolling landscapes, rather than woodland, where the shelter of the trees can prevent frost.
On a really cold day, when even the sun isn't going to thaw the frost too quickly, a touch of sunlight helps to emphasise the sparkle of frost.
Work In The Shade -
Even photographing in the shade can still show wonderful textures, and remember, temperatures remain lower in the shade – so frost tends to hang about longer. If your subject is in a particularly shady spot, the use of a reflector can help to bounce a little daylight into the darker areas. A warm reflector, such as a gold, or sunfire, can also help to reduce the blue cast so common in the shade.
Meter For The Frost
- The white of frost can also fool your camera meter, so keep a close eye on your histogram as most cameras still "see" white frost as mid-grey. Possibly an exposure compensation of around +1 stop will keep your frost-laden trees looking pristine white.