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Lenses & Optical

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Nikon 1 NIKKOR VR 10-100mm f/4.0-5.6

1 NIKKOR VR 10–100mm f/4.0–5.6 - powerful 10x zoom lens

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Nikon 1 NIKKOR VR 6.7-13mm f/3.5-5.6

1 NIKKOR VR 6.7–13mm f/3.5–5.6 - ultra wide-angle zoom lens

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Jackar Snapshooter 34mm f/1.8

34mm f/1.8 Micro Four Thirds or NEX lens

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Canon EF 35mm f/2 IS USM

The new EF 35mm f/2 IS USM is designed to offer outstanding flexibility – allowing photographers to capture an even broader range of scenes and subjects in wide-angle. The lens is Canon’s first-ever 35mm prime to feature optical Image Stabilizer technology, which combines with high quality optics to offer outstanding performance from a lightweight, compact body.

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Canon EF 24-70mm f/4L IS USM

Ideal for reportage and wedding photography, it combines an essential everyday focal range with a premium quality L-series construction, delivering consistently sharp, professional-quality stills in a range of different situations. A new macro function also optimises the placement of lens groups during macro photography, allowing shooting at a maximum magnification of 0.7x – reducing the need for photographers to carry a dedicated macro lens.

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Nikon AF-S Nikkor 70-200mm f/4G ED VR

Nikon FX-format zoom lens with versatile 70–200mm focal range and constant f/4 aperture. The lens extends Nikon’s range of high-performance f/4 NIKKOR lenses, and is the first Nikkor to be equipped with Nikon’s next-generation Vibration Reduction system that allows for up to 5-stop compensation. Well-suited to events, travel, wildlife, and even sports, the strong combination of extended vibration reduction capability and high-grade Nikon optics make this lens a smart choice for enthusiast photographers and pros alike.

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Tokina AT-X AF 24-200mm

The 28-200mm zoom is one of the most popular lenses sold and every independent lens maker produces a version. But this focal length range can leave the landscape photographer wanting, as 28mm isn't always wide enough to get everything in view. Similarly there are times that you can't step back far enough when shooting indoors and when taking buildings you may end up cropping off the church spire. This zoom from the prestigious AT-X range offers a solution with its wider 24mm focal length.

Rating: 4 out of 54 out of 54 out of 54 out of 54 out of 5
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Sony DT 50mm f/1.8 SAM

Sony's DT 50mm f/1.8 SAM lens boasts a smooth autofocus motor (SAM), bright f/1.8 maximum aperture and lightweight construction all for around £145. It is designed for Sony's range of APS-C DSLRs and so cannot be used on a full frame camera. The SAM focusing system is compatible with Sony's cameras that rely on the lens having a motor built in to focus, such as their NEX range of cameras.

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Sony 70-300mm f/4.5-5.6 G SSM

Sony's 70-300mm f4.5-5.6 G SSM lens is one of their line of professional quality lenses, sporting sturdy build quality and a fast silent focusing motor for a price tag of around £730, making it one of the most expensive 70-300mm lenses available at the moment. Here Gary Wolstenholme will investigate whether the performance and build of this lens justifies the high price tag.

Rating: 3 out of 53 out of 53 out of 53 out of 53 out of 5
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Sony DT 16-105mm f/3.5-5.6

Sony's DT 16-105mm f/4.5-5.6 is a general 'walk about' lens that costs around £480 and covers popular focal lengths equivalent to a 24-157.4mm lens on a full-frame camera. Lenses like this tend to be a popular upgrade for those looking for a little more than their typical 18-55mm kit lens offers in terms of focal length. Having a larger zoom range like this also minimises the need to change lenses, preventing dust getting inside the camera.

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SRB 77mm Variable ND

A variable contrast neutral density filter using to polarising filters on top of each other to create the exposure reducing neutral filter. Has a scale with minimum and maximum positions.

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Tiffen 77mm Variable ND

A variable contrast neutral density filter using to polarising filters on top of each other to create the exposure reducing neutral filter. Has a scale with minimum and maximum positions.

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84.5mm Full Gradual Orange Classic Line

An orange graduated filter made from CR39 resin with an 84.5mm width that fits in the Cokin P series holder.

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84.5mm Medium Antique Classic Line

A brown/green graduated filter made from CR39 resin with an 84.5mm width that fits in the Cokin P series holder.

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84.5mm Light ND Classic Line

A Light ND graduated filter made from CR39 resin with an 84.5mm width that fits in the Cokin P series holder.

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84.5mm Medium ND Classic Line

A medium ND graduated filter made from CR39 resin with an 84.5mm width that fits in the Cokin P series holder.

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Samyang 10mm f/2.8 ED AS NCS CS

Samyang 10mm f/2.8 ED AS NCS CS

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Leica Vario-Elmar-S 30-90mm f/3.5-5.6 ASPH

Leica Camera AG today presents the first zoom lens for the Leica S medium format system. The range of focal lengths covered is equivalent to that of a 24-72 mm zoom for 35 mm format. This means that S-System users now have access to a lens that possesses the flexibility to cover the majority of photographic needs, and simultaneously delivers the outstanding performance of primes. Photographers can now avoid time-consuming lens changes in many areas of photography, allowing them to concentrate on their subjects when time is a critical factor.

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Leica TS-APO-Elmar-S 120 mm f/5.6 ASPH

Leica Camera AG today announced the TS-APO-Elmar-S 120 mm f/5.6 ASPH., the first fully-adjustable tilt/shift lens for the Leica S medium format system. This apochromatically corrected lens, provides options for parallel shifting and tilting (Scheimpflug principle), and offers photographers all the adjustment options usually found in field cameras, while simultaneously guaranteeing the greatest possible image quality, easy handling and universal applicability of the Leica S System.

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Leica Super-Elmar-S 24mm f/3.5 ASPH

Leica Camera AG has expanded the Leica S medium format system with the addition of a new lens: the Leica Super-Elmar-S 24 mm f/3.5 ASPH. In 35 mm equivalent format, this corresponds to a focal length of 19 mm. This super-wide-angle lens guarantees excellent image quality, and is not only ideal for landscape and architectural photography, but also for interior photography and many other situations. The lens shows very high contrast rendition and maximum resolution at maximum aperture.

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