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The equipment section is currently in an open beta. We are currently adding more products and moving things around so it works better. Please contribute using your equipment knowledge by adding equipment and submitting feedback. More equipment categories will become active as the team and members list additional products.

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Canon EF 24mm f/2.8 IS USM

The World's first 24mm fixed wide-angle lenses to feature optical IS technology. Ideal for landscape and reportage, both lenses offer outstanding flexibility allowing photographers to shoot an even broader range of scenes and subjects – combining fast apertures with IS to enable sharp results when shooting handheld, even in low light conditions. Offering an advantage of up to 4-stops over lenses without IS, both lenses are ideal for capturing more of the scene thanks to their wider focal lengths. Both feature a wide f/2.8 aperture, allowing photographers to explore shallow depth of field, or to shoot in lower-light conditions. Wide apertures and IS technology also make each lens ideal for shooting fast-moving subjects, while Canon’s advanced IS technology is able to detect intentional panning movement and automatically switch from Normal IS mode to Panning IS mode – helping users to capture movement with greater accuracy. Silent, high-speed AF performance is provided by the inclusion of a ring-type USM and additional features including optimized AF control. Full-time manual focusing also ensures adjustments can be made even when AF is engaged, while a minimum focusing distance of 0.20m (EF 24mm f/2.8 IS USM) and 0.23m (EF 28mm f/2.8 IS USM) allows photographers to get even closer to smaller or more detailed subjects.

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Canon EF 24-70mm f/2.8L II USM

The new EF 24-70mm f/2.8L II USM features completely redesigned optics to provide outstanding clarity, image quality and durability. A compact design makes it ideal for carrying on every shoot, and a range of optical enhancements provide improved performance – capturing greater detail across the frame while reducing distortion throughout the entire zoom range, particularly at the maximum 70mm focal length. With a redesigned optical system that includes two Ultra-low Dispersion (UD) and one Super UD aspheric elements to minimise chromatic aberration and colour blurring, the lens delivers consistently sharp, high-contrast images. Each lens element also features Canon’s optimised Super Spectra coatings to reduce ghosting and flare and ensure excellent colour balance. Additionally, a fluorine coating minimises the amount of dust, dirt and fingerprints that adhere to the front and rear of the lens, helping to maintain superior image quality. The EF 24-70mm f/2.8L II USM also enables photographers to capture their subjects up close, with a minimum focusing distance of 0.38m at all focal lengths throughout the zoom range. A ring-type Ultrasonic Motor (USM) works in combination with a high-performance CPU and advanced AF algorithms to ensure accurate, silent and ultra-responsive autofocus. For those who prefer to maintain full control in every shot, full-time manual focusing allows photographers to precisely tweak or alter the focus of their shot at any time, even when AF is engaged.

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Tokina 300mm Mirror Lens

Tokina 300mm Mirror Lens for Micro Four Thirds Cameras

Rating: 5 out of 55 out of 55 out of 55 out of 55 out of 5
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Bronica Zenzanon 45mm f/4 RF645

Lens for Bronica RF645 bodies. Approx 27mm WA in 35mm format. Super-Angulon and Viogon style optics.

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Tokina AT-X 17-35mm f/4

The 600g lens has a 103.9 degree field of view with two Super-Low Dispersion glass and one aspheric glass elements. Tokina's exclusive One-touch Focus Clutch Mechanism allows you to switch between AF and MF by snapping the focus ring forward for AF and back toward the lens mount for manual focusing. It's designed to stand up to the rigours of daily use in a wide variety of shooting conditions and environments. The lens is fitted with better seals around moving parts and although it's not waterproof it's much more water resistant than previous lenses. The f/4 aperture makes viewing and auto focus easier in lower light situations. It fits Canon EOS or Nikon-D cameras.

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Panasonic DMW-GFC1 Fisheye Conversion Lens

Helps users shoot creative and unique photographs with a rounded, 120-degree angle, effect.

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Panasonic DMW-GMC1 Macro Conversion Lens

Designed to enable extremely close macro shooting at a focus distance of just 0.14m when attached to the front of the lens. This conversion lens is ideal for capturing amazing detail in small subjects such as flowers and insects.

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Panasonic DMW-GTC1 Tele Conversion Lens

Helps capture a subject that is faraway by extending the focal length of tele-end from 42mm to 84mm when attached to the front of the lens. This conversion lens is particularly helpful when shooting long-distance street-view shots while travelling.

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Panasonic DMW-GWC1 Wide Conversion Lens

Helps to capture dynamic scenery with a wider viewing angle and extends the focal length of wide-end from 14mm to 11mm when attached to the front of the lens. Also helpful when shooting indoor group photos where space is often limited.

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Sigma 19mm f/2.8 EX DN

Manufacturer's Description: "high-performance wide angle lens is designed exclusively for mirrorless interchangeable lens cameras and has the equivalent angle of view as a 38mm (35mm equivalent focal length) on the Micro Four Thirds systems and 28.5mm (35mm equivalent focal length) on the E-mount systems"

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Sigma 30mm f/2.8 EX DN

Manufacturer's Description: "high-performance standard lens is designed exclusively for mirrorless interchangeable lens cameras and has the equivalent angle of view as a 60mm lens (35mm equivalent focal length) on the Micro Four Thirds systems and 45mm (35mm equivalent focal length) on the E-mount system"

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Sigma APO Macro 180mm f/2.8 EX DG OS HSM

World's first 180mm macro lens incorporating a magnification ratio of 1:1 and a large maximum aperture of f/2.8.

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Rating: 4 out of 54 out of 54 out of 54 out of 54 out of 5
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Lowest Price: £ 369.99
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Nikon AF-S NIKKOR 85mm f/1.8G

Nikon AF-S NIKKOR 85mm f/1.8G Lens

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Yasuhara Co Ltd Nanoha x5

Nanoha x5 is a macro lens for mirror-less cameras which offers up to 5x magnification capabilities. It means 1 pixel on the picture is about 1 micrometer on the shooting target. Basically microscope optics for your camera without the need of a microscope.

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Olympus M.Zuiko Digital ED 12-50mm f/3.5-6.3 EZ

Olympus’s new generation of multi-talented PEN cameras can enjoy a new Standard Zoom, the M.ZUIKO DIGITAL ED 12-50mm 1:3.5-6.3 EZ. It comes with a new ultra-smooth, near-silent electromagnetic zoom mechanism that powers the lens on its own – no potentially jerky wristwork required. This makes it easy for anyone to make great home movies. Add in variable zoom speed and blazing quick auto focus, and it’s the perfect zoom lens for recording movies and portraits. It’s also ideal for high-quality macros and wide-angle shots. With an 84° max. angle of view, 24-100mm (35mm equiv.) focal range and manual zoom mode, this exceptional lens gives PEN owners all the options. The PEN line-up has a multi-talented standard zoom lens to match.

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SLR Magic HyperPrime 23mm f/1.7

SLR Magic expands the micro four thirds lens lineup with the new SLR Magic HyperPrime 23mm F1.7 wide angle lens. With this latest addition, the portfolio of lenses for the E-mount system is now comprised of three focal lengths. The world's fastest interchangeable camera lens with APS-C coverage in this focal length, the SLR Magic HyperPrime 23mm F1.7 will be available in January 2012. The field of view of this new HyperPrime Lens corresponds to a 35mm lens in 35mm format and this fast wide angle of view opens up many new creative composition opportunities, particularly in the fields of candid, street, and landscape cinematography and photography. A minimum focus distance of 0.15m allows for pleasing defocused backgrounds. Additionally, a fast max aperture of F1.7 makes the SLR Magic HyperPrime 23mm F1.7 ideal for available-light photography. We place our highest priority in the development of all HyperPrime lenses to fulfill the demands of professional cinematographers and photographers. The design and build of the SLR Magic HyperPrime 23mm F1.7 is solid and reliable.

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Tamron 18-200mm F/3.5-6.3 Di III VC

The 18-200mm F/3.5-6.3 Di III VC (Model B011). The new high-power zoom lens is designed for the Sony E-mount lightweight and compact digital cameras series.

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Sony 18-200mm F3.5-6.3 OSS

Sony NEX 18-200 telephoto zoom lens, 11x magnification range.

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Minolta M-ROKKOR 28mm f/2.8

Leica M Mount Minolta M-ROKKOR 28mm 1:2.8 Lens

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USB Fever 2x Telephoto lens for iPhone

An optical glass lens with 2 elements and metal casing that screws into a back camera plate to proved a 2x telephoto magnification on an iPhone 4

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