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Well using something like RawShooter you can adjust:
Colour Temperature
Tint
Appearance
Exposure Compensation
Fill Light
Shadow Contrast
Highlight Contrast
Saturation
Hue
Sharpness
Detail Extraction
Noise Suppression
Colour Noise Suppression
Phew!!
Obviously you don't HAVE to adjust all those: limit it to colour correction and sharpness if you want.
But then with the latest DSLRs you can adjust several of the in-camera processing parameters too.
Experiment and see for yourself, I think. What is right for one person may not be right for another. If you constantly find yourself making major adjustments to JPEG you may want to see if RAW will give a better result. At least we now seem to have some decent quality free software in RawShooter so you don't have to commit yourself to any expenditure.
No definite answers here, I'm afraid!!
I use jpeg when I know I am running out of space on the cards I have with me (as I have done on a couple of trips abroad and have now got a lot more cards) and RAW when I know I have the space.
I find RAW to be better but the additional processing of the image takes time and a little getting used to.
Never work on jpegs. Once down loaded they should be worked in PS format or tiff. If you save a worked jpeg the compression causes a loss of information. Sorry if I am teaching egg sucking but I know of one or two people who always do every thing in jpeg to save hard drive space.
There used to be a bread advert that claimed it was always better to start "With nowt taken out". That's why I use RAW.
(If you don't want to "muck about" most RAW processors have an "auto" option which can give you an idea of how the shot could look with one click of the button - but you can always go back to the original data if you don't like the result)
Brian
As above. I use the Adobe RAW plug-in thing so it's pretty much the same as it would be with JPEG, I just get that first step where I can correct any colour issues or exposure problems, which I couldn't do with jpeg. Plus it's uncompressed of course, so there's no JPEG artifacts.
If you're picky about quality then you already use no in-camera "enhancements" (sharpening etc).
The main disadvantage is that you can't just flip through a slide-show of jpegs, unless you shoot simultaneous RAW+JPEG (which I found a pain anyway). You can easily create a "droplet" for PS if you like to create machine-generated jpegs from eveything. Personally I look at each shot in ACR's preview (at 100%) and work that way. It's acceptably fast for showing customers if you have a good pc.
Just been having a go with RAW Shooter.
It's obviously laid out for the mass market and it does have some 'gimicky' tweaks which might prove useful, but it doesn't have the smooth feel of Capture One and I might be missing something but I couldn't see a curve or level tool.
Thought the saturation tool was a bit Bull in a China Shop too as was the noise supression.
However, it's early days - we'll have to wait and see.
There isn't a curve or level tool - it's just the shadow contrast, highlight contrast and fill-light sliders.
However, even though I also use C1 I do think this is worth keeping both an eye and an open mind on - once it works on my AthlonXP/Win2K photo editing PC that is ![]()
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