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I don't know as I'm not a studio shootist but I would imagine that White would give a softer reflection where as Silver would be more harsh.
However, someone will be along in a main who knows more that me.
Gerry.
Try them Ray. Use a white sheet and some well crushed and re-opened Kitchen-foil (spread over some cardboard for example).
Set up a subject in a static lighting situation (head and shoulders in a window - apply the reflectors in turn and review...
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Quote: What is the difference between a white and silver reflector on light.
Don't forget Black and Gold ![]()
Silver gives a more contrasty light, is stronger and harsh. Especially useful when the light is very low, and you wish to "amplify" it.
White is a more natural softer light
Black subtracts light
Gold give a warm tone, great for skin tones. It can also create a colour cast that is difficult to remove.
As Mike O suggested, have a play and see what you feel about it.
Quote: Use a white sheet and some well crushed and re-opened Kitchen-foil (spread over some cardboard for example).
Good idea Mike.
You ever thought of presenting Blue Peter? ![]()
Don't forget that reflectors are not limited to studio use, They can be very usefull for outside/location shoots too, Lets say an outdoor portrait, Where you want a little light to soften shadows in a contrasty situation......![]()
A good assistant to hold/direct the light for you is also invaluable.....
Though sometimes its just a case of being inventive/creative.....![]()
Outdoors is the sort of use I am looking at.
Following on from that for portrait outdoors is flash or reflectors the way to go or even both. If flash on or off - into reflector etc.
I want just enough light to lift show but nothing more.
Quote: You ever thought of presenting Blue Peter?
Yup! I failed the interview...
When asked if I liked kidz I replied 'preferably crispy'.
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Quote: flash or reflectors the way to go or even both.
Whatever does the job best for you. You can also use the reflector to bounce the flash. As a general rule of thumb:
1. Natural Light
2. Natural Light with a reflector (as fill)
3. Flash as main light or fill
Just think of the flash as your main light when outdoors, if there is insufficient natural light
Quote: I want just enough light to lift show but nothing more.
Reflectors in outside portraits are great for this purpose, Lets say its a horribly bright ( Sun High in the sky day ) You will not want your portrait subject out in the sun, Or you run the risk of very harsh shadows at the very least.....![]()
So you look around for a slightly shaded location, Like for example under a tree, However this on its own can/will dull the subject a little, In this situation a well placed reflector can redirect some of the available light, How you direct it, Is up to you, Think of it in the same way as you might work with a remote flash unit, Except your using natural light rather than a flash/speedlight. ( For girlies use white coz its softer, For blokes either silver or white depends on intent )
Overall in the above scenario, Light will be coming from above, So the reflector may well need to be placed low, So as to provide a little uplight as well, This helps remove harsh facial shadows that can occur with light that is coming from above only......![]()
Its best to experiment, If you don't have a reflector yet, Look out for something around 1 metre in diameter ( Pop out type ) Silver and white, Gold ones are pain in the butt as they mess with the colour balance to much, Then skin tones look way to lurid......![]()
Quote: When asked if I liked kidz I replied 'preferably crispy'
LOL....Same here I failed coz I said I could not eat a whole one......![]()
Quote:
LOL....Same here I failed coz I said I could not eat a whole one
(Were you the one just ahead of me in the 'Q' Vince..??
)
The 5-in-one is extremely versatile; I got one thrown in with some head units last year - you 'll then have all bases covered Ray. ![]()
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