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A way of reducing harsh contrast by adding light to darker or shaded areas
of the subject using a reflective material or flash.
Related Terms
Many cameras now have a built-in flash that is used to take pictures inside
when the light levels are low. Most cameras will have an Auto mode and there are
usually several other modes including, Red eye reduction, Off, On, Slow
sync.Most SLRs and some compacts have the option of attaching an external
flash on an accessory shoe. Some have a sync socket so you can attach a studio
flash off the camera for more controllable results.
Buying advice: The flash range is often quoted and ones
with more power will allow well-exposed pictures to be taken at greater
distances. Having several modes increases the camera's versatility.
If you would like to use studio flash you can fire heads remotely using your
camera's built in flash and a slave unit, but watch out on digital cameras - the
flash may not be synchronised correctly. It's better to use a camera with a sync
socket. The most useful feature of an auto camera is Flash Off so you can avoid
flash when you want to shoot in low light and Flash On to force the flash to
fire to get good fill-in light in contrasty conditions.
Many cameras now have a built-in flash that is used to take pictures
inside when the light levels are low. The camera detects when flash is needed
and automatically fires it, there are usually several other modes to increase
the flash's versatility. Red eye reduction fires a pre-flash to prevent large
red eye pupils appearing. 'Off' turns an automatic flash off so that the camera can be
used with a long shutter speed for night photography. 'On' forces the flash to
fire as a fill-in for daylight pictures that have harsh shadows or to illuminate
a close subject in a night scene. Slow sync fires flash and records the ambient
exposure, which is great for creating image trails and creative subject
movement.
A term used to describe a combination of sunlight and flash light, where flash is used as a fill in.







