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a Gothic Laura in the turret at Thorsby. first draft, probably needs more work. any ideas how to develop it further.
thanks for looking
I like the mood, the use of selective colour and toning, the eye contact, the whole composition and the inclusion of the birds a lot. Not quite sure about the hair over her chin - maybe a little more of it would make it look more natural (though it may be natural!). I think I would definitely darken down areas of the right hand side - the brighter horizon lifts the mood in a non gothic way, and also draws my eye away from her face. More of a vignette, maybe? Sue
the hairs natural-ish and quite red, i think, it could be a wig i never met her before this and she had the cloak on and i asked her to pose for me. it was just has she had it, i think it just happened to pull across her chin when she turned. it wasnt the same of some later frames but the expressions were not right by then.
i agree about darkening down, this was pretty apparant when i did a test print.
I like it, but being familiar with the location I think the scale looks a bit wrong.
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Photographer David Loftus and Jamie Oliver have worked together for the past ...
If you’ve ever dealt with high-contrast lighting - a landscape under direct sunlight or a brightly-lit screne shot from inside a darkened room - you’ll appreciate what Active D-Lighting has to offer!
If you have the camera on a tripod during live view, you can zoom in on your subject in the monitor for precise focus.
For subjects that are in motion, choose Dynamic-area AF.
If your subject is poorly lit, shutter speed will slow and pictures may be blurred. You can choose a high ISO sensitivity for faster shutter speeds and sharper images.
This option controls how autofocus adjusts to sudden large changes in the distance to the subject during continuous-servo AF.