Photography Equipment Reviews - Lenses and Optical Items

Matt Grayson doesn't have a sweet spot like the Lensbaby Composer because he's too ticklish.

David Clapp compares the two heavyweights of the wide angle world.

Ian Andrews takes a distorted look through Nikon’s new 45mm f/2.8D ED perspective control optic to see what the new twists are!

Once more into the breach dear friends, once more; Or, in this case, onto the mount of Ian Andrews camera for a shakedown of this new lens from Sigma.

Ian Andrews puts the new telephoto lens from Tamron through its paces.

Ultra-wide with a shiny bulbous dome. No, it's not Matt Graysons head. It's the Nikon 14-24mm AF-S f/2.8G ED lens. Ian Andrews takes a look at how the optic performs.

The Olmpus OM Four Thirds adapter allows Olympus OM users to attach their manual focus lenses onto an Olympus digital SLR body. Peter Bargh sees if his prize 50mm works with the new E3.

Pentax' latest zoom is the first in a series of professionally specified lenses to hit the marketplace

Peter Bargh likes shooting Fungi. This pastime causes viewing problems when down at ground level, which is why he's taking a look through the new H-RAV Universal Right Angle Finder from Hoodman.

Matt Grayson takes a look at the Lensbaby 3G. A professional lens for DSLR with an adjustable selective focus area.

Always on the hunt for something that can make him look busy whilst doing very little, Matt Grayson has taken a look at the digital SLR pinhole converter from P&L Solutions.

The popularity of Superzooms continues and Tamron have thrown this enormous 13.8x optic into the mix. With a 20% increase in the long focal length capabilities than your average superzoom, we take a look at how the Ta...

Ian Andrews takes a look at Sigma’s latest superzoom that sports their Optical Stabilisation system.

ePHOTOzine gets a world exclusive first look at the new Steiner Discovery birding and wildlife binoculars.

Canon’s competitor in the 100mm Macro lens group is a popular lens, mainly as the overall length stays constant during focussing. We take a look at how it performs.

Canon’s EF-S lens mount is designed for it’s 1.6x crop factor cameras and as the best of these is not aimed at true professionals, this constant aperture lens does not qualify for L class branding. We take a look at h...