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| Address: | Priors Way, Maidenhead, Berkshire, SL6 2HP, United Kingdom |
| Phone: | 01628 674411 |
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Downloads
A shot from the widest end of the Tamron 18-270mm.
One which shows the largest possible image size at the close focus distance (I was slightly too close with this one, pushing the focus point behind the eye).
Original file from my 365 project.
Equipment
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Tamron SP AF 14mm f/2.8 Aspherical (IF)
Manufacturer's Description: "Tamron's SP AF 14mm f2.8 Aspherical (IF) is an ultra wide angle lens that creates a perspective far beyond the conventional ultra wide. With its larger 2.8 aperture, the main subject practically jumps out of the image. By using two Hybrid Aspherical lens elements, this lens delivers high quality images with minimal light fall off at the image corners. To optimize handling, the lens incorporates a push/pull AF/MF Switchover mechanism on the focus ring. * AF/MF change over mechanism for focusing ring Switching between AF and MF is easily accomplished by sliding the focus ring back and forth. Manually focusing is smooth and precise with the wide focusing ring."
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Tamron SP AF 300mm f/2.8 Aspherical LD (IF)
Manufacturer's Description: "Tamron's fast fixed telephoto lens delivers a remarkable and exacting performance, as demanded by todays professionals. Two large LD (Low Dispersion) glass elements in the front group provide high contrast and crystal-clear image quality at f2.8. and the floating focusing system improves optical performance especially at close shooting distances. 9 specially shaped aperture blades form a near perfect circle to create excellent background blur for portraits. The true value of this lens is apparent when photographing sports, low-light theatre performances and wildlife. Available in Canon, Nikon and Minolta AF fittings. The lens also features a new AF/MF switchover mechanism* * AF/MF change over mechanism for focusing ring Switching between AF and MF is easily accomplished by sliding the focus ring back and forth. Manually focusing is smooth and precise with the wide focusing ring."
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Tamron SP AF 20-40mm f/2.7-3.5 Aspherical (IF)
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Tamron AF 24-70mm f/3.3-5.6 Aspherical
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Tamron AF 28-200 mm f/3.8-5.6 LD (IF) Aspherical Super
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Tamron 28-80mm f/3.5-5.6 Aspherical
Manufacturer's Description: "A standard zoom lens from a wide 28mm to a medium telephoto range of 80mm. The use of aspherical elements in the front group reduces the number of elements required and the use of strong engineering plastic in the barrel makes the body a light 237g."
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Tamron 28-105mm f4-5.6 (IF)
Manufacturer's Description: "Tamron's conveniently small and lightweight AF28-105 is the perfect standard zoom providing medium telephoto, ideal for close ups and zooming out to true wideangle for group shots, tight indoor spaces and landscapes. Internal Focusing (IF) once only available on professional lenses, permits easy handling and practical use of filters."
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Tamron AF 28-105mm f/2.8 LD Aspherical (IF)
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Tamron AF 28-300mm f/3.5-6.3 LD Aspherical (IF)
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Tamron AF 80-210mm f/4.5-5.6
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Tamron AF 100-300mm f/5-6.3
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Tamron SP 90mm f/2.5 Macro
Two Tamron 90mm f/2.5 lenses were made - this one with the 55mm filter size, and one with a 49mm filter size (the 52B model). Both of them offer a 1:2 macro magnification
Features

Here are five examples of architecture photography that were all shot on Tamron lenses.

Camera Jungle will give you an instant online quote for your used kit. Find out more here.

Here are our favourite lenses from the past 12 months.

Here's a round up of the top pet photos on Totally Tamron.

Here's a round up of some of the best insect shots from Discreetphoton's 365 blog.

Here, we take a look at some of the very best flower photos from David's 365 day blog.

Here's how David Pritchard used the Tamron 18-270mm f/3.5-6.3 Di VC PZD lens to produce great landscapes.

Here's a round up of the best animal photos from Discreetphoton's 365 blog.

Here's a round up of some of the best black and white photos taken with a Tamron lens.

Here's a round up of the best landscape images taken with Tamron lenses.

Here are seven shots that show with a little imagination, you can make fun shots out of almost anything!

Learn more about Tamron's 70-200mm telephoto zoom lens.
Forum
Sigma v Tamron
Thanks for your observations, icphto. I accept that the Nikon delivers marginally better IQ but it's much more expensive and much heavier. The issue here is weight - after a 5 hour walk in summer heat in Switzerland last year the old Sigma felt like it weighed a ton! This was my walkaround lens; for quality stuff I use a Sigma 10-20 or my Nikon 16-85 (which is superb) and a tripod, which I d...
Forum: Lenses
I read (snipped) that a close up lens is a cheaper alternative to a dedicated macro lens, I do not want to spend hundreds of pounds at the moment unless I know that I am going to make use of it. A Close at the lens can often achieve a very good though not perfect results. Photography is often to do with the compromises of how much money you have and how much weight you want to carry in your ...
Forum: Lenses
If you are worried about variability, you can register the settings under the Custom Exposure Mode and switch to another mode if you need to. For example, set it up for moving dogs registered under 'C', then switch to Aperture Priority for sitting dogs and all you need is a quick twist on the Mode dial to go between the two. I have to admit I have never used Custom Exposure Mode and didn't ...
Forum: Taking photos
After a good bit of reading on the Tamron post above (Thanks ste_p0270) I decided to go down this route, the picture quality looked top class. I managed to pick one up 2nd hand for 300 euro so think it's a good deal. Now I hope I'm able to make good use of it.. Thanks again everyone for the helpful posts :) no problem. keep us informed how you get on with it :) Ste
Forum: Lenses
Help choosing a lens for my Nikon D3100
You have a guite good "macro lens" with the one you bought :) It focusses close enough to cover a subject 3.5 inches wide at 55mm. This is a good close focus performance for a lens also suitable for landscapes. There are many other lenses you can buy. If by macro you mean getting close enough for a 1 inch wide subject on DX you ideally need a specialist macro lens.
Forum: Lenses
Tamron 18-270 DI 11 VC PZD
I've had no problems with mine at all, with filters or polarisers. But I'm not a fan of UV filters at all, I stick to using the lens hood.
Forum: Lenses
Replacing my kit lens on a Nikon D5000
As per Pete's comment... the 18-105 is a DX lens so will fit your D5000 fine. it gives almost double the "zoom" of the kit lens, but will probably be a little softer towards the longer focal length. have a look here for reasonably priced s/h lenses. Ste
Forum: Lenses
Tamron UK
The work he produced with the lens was impressive I'd used the lens to do an A to Z project so I was aware it was extremely good for a zoom of that range, but David pushed it to a new level. He really did show the lens' true potential.
Forum: Tamron Lenses
Nikon Zoom Lens
Personally I prefer to stick with Nikon, but if you wish to read more about alternative lenses you can do so here
Forum: Nikon Cameras
broken
Not a lot of information to go on, Mick. There's broken, and there's fubar. What exactly is wrong with it? Malc
Forum: Lenses
Multi purpose lens
Go for the Tamron, I had it when I still had my 20D and it was great, useful for so many purposes. Check out Mike's link, and you'll find a thread with a myriad of different kinds of photos taken with it, that should convince you.
Forum: Lenses
Full Frame Canon
Thank you for all the comments. After looking through everything, I've compiled what I feel would be a decent starter package for what would be needed. Of course, she has the option to go with whatever she prefers, including cost issues, but I think this is a decent list that covers all situations. I reminded her that most of the time, she's probably not going to shoot wide open (I know I don't...
Forum: Canon Cameras
Should this site be renamed
There are more of us about than your imagination could ever create.;)
Forum: General Photography discussion
I'd go for the D7100, with it's super built in flash. Color is also magnificient but no color comparisons to 6D yet. It's the best Nikon for color so far. (Vivid, saturation +3 for landscape and things). I am looking for my first digital venture from velvia and the 7100 is top of the list, (with Samyang 14mm. Voigt 40m and Voigt 75mm giving 21, 60 and 112 and maybe a 1.7 converter. I have a m...
Forum: Digital cameras
Nikon 18-105 or Nikon 18-135
No my 18-55 came with my D40. In an ideal world I would like to upgrade my body to a D7000. Tend to use the Tamron for wildlife and have got some decent results.
Forum: Lenses
Gallery
News
Intro2020 at Focus On Imaging 2013 were showing a full range of products for you to get your hands-on from Tamron, Samyang and others.

Enter Tamron UK's Facebook competition for the chance to win a new zoom lens.

A site dedicated to bringing everything Tamron to the Tamron user has had a revamp.

Tamron joins Facebook and to celebrate the launch they are running 4 photo competitions.

The latest update for DxO Optics Pro lets the software support six new cameras, including the Leica M-E.

Tamron announces the development of a zoom lens designed for Micro Four Thirds mirrorless cameras.

DxO Optics Pro now supports three new cameras and surpasses 10,000 available DxO optics modules.

e2 membership is up for grabs in today's Christmas Prize Draw.

There are 20 copies of MAGIX PhotoStory on DVD up for grabs in ePHOTOzine's Prize Draw.

Win 1 of 40 Pro foliopic accounts in ePHOTOzine's Prize Draw.

Today in the ePHOTOzine Prize Draw, you could win one of 20 Pentax User Plus subscriptions!

Today you can win 1 of 120 Photograph The World Newsletters in the ePHOTOzine Christmas Prize Draw!
Pro Portfolios
Rebecca Bradley interviews Scotland based nature photographer Peter Cairns about his current project Tooth and Claw and his progression from a straight nature photographer faced with increasingly excruciating competition into more of a photographic story-
Reviews

Gary Wolstenholme reviews the Sony SEL P 18-200mm f/3.5-6.3 OSS lens designed for use with Sony NEX system cameras.

Gary Wolstenholme reviews the Canon EF 24-70mm f/4L USM lens.

Vanguard's Abeo Plus 323CT - a tall and robust pro spec tripod is taken for a test.

Gary Wolstenholme reviews the Nikon AF-S Nikkor 70-200mm f/4G ED VR lens.

Gary Wolstenholme reviews the 180mm f/2.8 telephoto macro lens from Sigma with optical image stabilisation.

Gary Wolstenholme gives a World Exclusive first review of the Tamron SP 70-200mm f/2.8 Di VC USD lens.

Gary Wolstenholme gives us a World Exclusive first review of the Tamron SP 90mm f/2.8 Di Macro VC USD lens.

World Exclusive: Have a look at our test results from the newTamron SP 70-200mm f/2.8 Di VC USD lens.

World Exclusive: Have a look at our test results from the new Tamron SP 90mm F/2.8 Di MACRO 1:1 VC USD lens.

Gary Wolstenholme reviews the Canon EF 24-70mm f/2.8L II USM lens.

Gary Wolstenholme reviews the Canon EF 70-300mm f/4-5.6L IS USM lens.

We go hands on with the new Tamron SP 90mm F/2.8 Di MACRO 1:1 VC USD lens and post sample photos.
Techniques

Learn how a zoom lens can help you create unusual images that have a sense of speed and movement or an abstract feel.

While rain has a habit of spoiling a day's photography, it can also be used to create interesting abstracts.

Bluebells (if they're not already) will soon be appearing so here are a few Bluebell photography tips.

Take your camera out in town to photograph the flora that will soon be decorating the streets.

Edwin Brosen shares his tips on photographing Lichen.

Turn the humble vegetable into a piece of art with a few simple steps.

For those new to Lightroom, here's a quick introduction to the workspace.

Use the reflective light from the moon in your imagery.

We show you how you can still shoot interesting photos of children without spending much money.

Here are ten situations when manual focus can work better than your camera's auto focus.

In this book extract, we take a look at modifying tones based on ranges of luminance.

John Gravett shows us how wind movement can make interesting and more dynamic landscape shots.
Videos
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