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Omelette for one ?

Jazzyjack > Gallery > Omelette for one ?

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Scheduled Downtime: 19th June 2013 @ 11pm BST. Read More
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I'm trying to find a direction for my PF, maybe this is the way. Thoughts please.

Brand:Canon
Camera:Canon EOS 550D
Lens:EF-S 18-55mm f3.5-5.6 IS
Recording media:JPEG (digital)
Date Taken:11 Jan 2012 - 6:05 PM
Focal Length:41mm
Aperture:f/20.0
Shutter Speed:0.8sec
Exposure Comp:0.0
ISO:800
Exposure Mode:Manual
Metering Mode:Multi-segment
Flash:On, Fired
Title:Omelette for one ?
Username:Jazzyjack Jazzyjack
Uploaded:11 Jan 2012 - 6:52 PM
Tags:Close-up / macro
Votes:Voting Disabled
Critque wantedCritique Wanted
Has Modifications Modifications Welcome (Upload a Modification)
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Comments

gary_d
5
482 forum posts Wales12 Constructive Critique Points
11 Jan 2012 - 7:09 PM
0

One thing about this type of photography is you are in total control, lighting, composition, subject matter and so on, oh and ideas and a good imagination will help too.

I wish you all the best and look forward to more of your creations.

gary

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11 Jan 2012 - 7:52 PM

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Jazzyjack
Jazzyjack (e2 Member)
1
71 forum postsJazzyjack vcard England1 Constructive Critique Points
11 Jan 2012 - 7:52 PM
0

I fear that you are right Gary, maybe this takes some of the fun/risk out of photography, that said, there are many still life images around that are simply stunning.

My calling will come soon I'm sure.

Lee.

banehawi
banehawi (Critique Team)
9
523 forum postsbanehawi vcard Canada2184 Constructive Critique Points
11 Jan 2012 - 8:12 PM
0

You dont have to find a direction for your PF. Being eclectic, and varying the subject is a style in itself, so unless you feel you want to nail yourself down, its not necessary. There isnt always a calling, and you can seriously cramp your own creativity if you push yourself into thinking along those lines.

What is a good idea is to explore various styles, and become reasonably proficient at a selection, and if you find one that is particularly interesting, try to be as good as you can with it. Theres even the avenue you can pursue where you specialize with a type of lens, like an Lensbaby as an example.

So I cant really answer the question, only you can. Youve seen great still life images, so use those to learn from, and actually try to copy some and see what you can do.


back to this image. Its still life, so use ISO 100, and let it expose as long as it needs, - no need for ISO 800; you have all the parts in focus, which is good, but its not terribly interesting, as its a straight shot of ingredients on a piece of rough sacking or cloth; think about the rules of composition when you place the objects, and again when you look at your scene in the viewfinder; use interesting subjects, - mushrooms with large dark gills for example are more interesting that white button mushrooms; thing about slicing a mushroom to expose the underside, - etc.

Take a look at the portfolio of our member "chase" for a selection of really good still life images, and see if you can pick up more pointers there/

Hope I have been helpful, and havent put you off!



regards


Willie

SueEley
SueEley (e2 Member)
7
252 forum postsSueEley vcard Wales93 Constructive Critique Points
13 Jan 2012 - 7:09 PM
0

If you are interested in this kind of work, look at what people are doing on line. There is some inspirational work out there, including, (for example) great recreations of Dutch Old Masters. I am fascinated by John Blakemore's work (but have never got anywhere near recreating his quality!).

I 'fiddled' with your shot a bit, increased the vignette, added an 'Orton effect' layer (a blurred layer, set to multiply, then reduced in opacity) then lightened it and all sorts of other things. To me this kind of work tends to be as much about mood as recreating the subject, and mood is often about lighting. And you can change the appearance of the lighting in post processing - though getting as much right at the start as possible is good. Either way, hope you enjoy this kind of work. I keep coming back to still life, and it is always an absorbing way of passing a few hours. And I can never believe how stiff I feel after. All that, move stuff, move the camera, change the camera angle, move the stuff again, seems to use muscles I don't even use at the gym!

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