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its a touching figure / statue but the lighting is a bit contrasty on the background and mid body areas leaving a lot of distractions to compete for attention with the main subject of the statue.
yep, its a bit deep this one, deep i can come to terms with if it works well and parts of this do and parts do not seem to for me.
hi and a warm welcome to epz.
the ideas really good and so is the title, there are a few things happening like this on the salon circuit right now as the big hitters are looking for a new magic formula.
hi,
im a little torn on this one, i like the basis of the shot and i do think mono was the best way to go but like Willie i think overall the mono conversion is just a little harsh and high in contrast. that apart you did marvelously well to manage to retain the highlight detail in the central white water and even better to make an exposure hand held at 1/20 sec.
interesting this, its the most obvious view to include the whole of the structure showing the faded elegance but would an abstract of a part of the image actually say more.
hi,
i love the subject and the textures are great but i wonder if the main interest is in the panel with the figures and if a stronger shot would have resulted from a tighter crop with vertical format on just that board. im finding the panel on the base distracting a little.
hi,
hello,
so do i , it is a strong lead and has the added bonus of the snow. think there could be a little too much sky as its dragging me up there, its acting like two shots, one at the top and one at the bottom.
hi
hi,
hello and welcome to epz.
looks like a serious departure from your usual genre and thats good, making a shot your own is always good. composite work is really intersting, im just getting into it myself and its a steep curve but worth the effort. can be frustrating too
Hello,
hi,
hello,
hi,