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Third and last installment from Lister Park, Bradford.
This time I am offering 2 shots from a similar viewpoint.
Camera settings: f/11, 1/400s, 17mm, ISO 400
Many thanks for all the constructive comments and mods on yesterday's upload.
Phil
| Camera: | Olympus E-510 |
| Lens: | Olympus 14-42mm |
| Recording media: | RAW (digital) |
| Title: | Cartwright Hall 3 |
| Username: | |
| Uploaded: | 12 Nov 2010 - 1:21 PM |
| Tags: | Architecture, Landscape / travel |
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| Votes: | Voting Disabled |
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Comments
Many thanks for your kind comments David.
Frank, I nearly got there, it's just those damn verticals again. You are of course right but I was sure I sorted it. I have a feeling that I did some final adjustments on the high res version but uploaded a resized image without this final bit of work. Or I am going mad!
Cheers,
Phil
Excellent colours and composition, it has to be #1 for me!
Regards
Trev.
V1 is an excellent shot with some Wow factor. The light was really nice, and youve used the light to make a detailed, contrasty image that works very well.
V2, though good, lacks some of the sharpness and contrast of V1, - might be an optical illusion due to size though.
regards
Willie
V1 for me Phil, for all the reasons that everyone's already put forward.
Personally I wouldn't concern myself with straightening it.
I've just opened it in Picasa and depending on which part of the image you align with the grid,
a corresponding part becomes misaligned on the other side.
The problem (if you can call it that) looks to me, more like Frank's old favourite, converging verticals and I think it's so slight as to be unnoticable.
I like it.
Bren.
Thanks Bren, it's definitely converging verticals that's the problem. As you can imagine the building looked like it was falling in on itself due to the low pov. I just think it's a basic requirement for this kind of shot so I hate being pulled up on it if you follow my meaning.
At least I seem to have ironed out the issues I had with the other shots from Lister Park.
Cheers,
Phil
Hi Phil,
Regarding the business of converging verticals, I couldn't agree more.
I think far too much fuss is made over it. In real life we see a certain amount of perspective so why do we atempt to remove it in our images?
There's a great example in the "Tell it" group in which a building looks as if it's practically falling over . It's so far out, you'd never get it back in processing but that's how it really looks.
As for ironing out the other issues, I reckon you certainly have!
Cheers,
Bren.
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