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Sabreur's Gallery Comments

Sabreur > Sabreur Recent Activity > Sabreur's Gallery Comments
Sabreur by Sabreur

Sabreur

Thanks for taking time to comment.

Martyn - the shot was deliberately tightly framed to focus on the hand and arm. The image I uploaded today is a wider view, so perhaps you could look at that and compare the two.

By: Sabreur

Glasgow Jim & His AA Truck by culturedcanvas

Glasgow Jim & His AA Truck

Making the most of any opportunity! Well worth the HC.

By: culturedcanvas

Little Falls by BigCol

Little Falls

Have number 30, Col. Like the simple composition - not trying to get too much in.

By: BigCol

My  Island  2 by daviewat

My Island 2

I prefer the feel of this one to the other version.

By: daviewat

Sandro by daviewat

Sandro

It's an interesting expression you've aptured, Davie - I don't think he is quite sure about what is happening.

By: daviewat

The Boathouse by TeresaH

The Boathouse

Well deserved HC - worth going through the bog for!

By: TeresaH

For My Friends by TeresaH

For My Friends

That's a good capture of a rapidly changing view.

Thank's for organising the walk, and for your company.

By: TeresaH

My Turn! by kaybee

My Turn!

The soft look is effective, here. I am wondering whether this is a lttle too close, as a slightly wider view would perhaps make a little more of the reflection.

By: kaybee

Black Rock Cottage by petra16

Black Rock Cottage

The different composition tot he standard shot works well here. Petra. You've made the most of the light hitting the cottage.

By: petra16

WATERFALL by ScottRobertson

WATERFALL

Scott, I'd agree with the other comments that you have the foundations of a good image here. The composition is good, with foreground interest leading you towards the main falls.

A couple of things to consider for next time:

1. Cropping the top, or using ND grads, to remove the burnt out sky.
2. There is some flare. This might be some dust on your lens (which is more likely to show at small apertures) or might be due to the angle of the sun. As I assume that you don't have a lens hood, you could instead use a piece of card to shield the front element. You need to hold it so that it is out of the frame, but casts a shadow over the lens.

As Luke suggested, going back on a dull, overcast day can also help to smooth out the lighting.

By: ScottRobertson

Waiting For The Light by TeresaH

Waiting For The Light


Quote: Have you been for a dip?

jelsmack should take up fortune telling Wink

Good choice for black and white.

By: TeresaH

Grassy Plains by Lutz

Grassy Plains

I'd say it is one to leave in colour.

By: Lutz

Stalker & Seaweed : Bleached Colour by sut68

Stalker & Seaweed : Bleached Colour

The brighter line of seaweed helps to take your eye into the picture. I like the bleached effect - works well with the weed and the rocks.

By: sut68

misterious woods pt2 by richardwheel

misterious woods pt2

Very good on its own, but also prefer the first one.

By: richardwheel

Veni Vidi Vici by VintageRed

Veni Vidi Vici


Quote: Awful pun... wonderful shot.

Couldn't agree more Wink

By: VintageRed

Autumn by VintageRed

Autumn

Congrats on the EC - well deserved.

By: VintageRed

5 by Rottan

5

Lars

I think you've captured the light rays well, but I'd be tempted to go for a square crop as suggested by Roy. I'm not sure that the foreground at the very bottom of the frame is adding much.

By: Rottan

Wastwater by anthhope

Wastwater

A very good version of a classic view - you've made good use of the curve of the shore. The only thing I would probably like to see is to include a little water behind the foreground rock. This is a minor point, though.

By: anthhope

Misty Blue by achilles2k

Misty Blue

Like the mist and the layered effect.

By: achilles2k

Sandsend  Groynes by TonyA

Sandsend Groynes

Antonio

Well-judged exposure, giving just the right amount of blur, allied with the composition.

Looks like you had a good couple of days after the workshop.

Robert

By: TonyA

The Storm Breaker by gndphotography

The Storm Breaker

Like the powerful angle of the breakwater, and the swirling ebb of the water.

By: gndphotography

Whitby Essence by keithh

Whitby Essence

Interesting to read the debate on the composition. The strong diagonal of the boards and the left-hand post supporting the railings (in turn supporting the lifebuoy) both make good contributions to the whole.

By: keithh

Padley Niagara by VintageRed

Padley Niagara

I was there myself this afternoon, Nick - look out for a couple of shots in the next few days.

You're right about the amount of colour in the water at the moment.

By: VintageRed

Forget me Knot by JasonC

Forget me Knot

The limited DoF is great on this, Jason. The composition is striking, centred on the knot.

By: JasonC

The Black Nab by scott_c

The Black Nab

Let me be the first to say how good this is.

The low angle makes the most of the foreground, and I like the way the rocks and the foredground act to lead your eye to the Nab.

Good to meet you over the weekend.

By: scott_c

Jetsam II by keithh

Jetsam II

"Look at what you could have won" Wink

I like the panoramic crop, and a well-judged amount of movement in the water.

By: keithh

Sunrise by MalcolmS

Sunrise

You've really captured the feel of the place at sunrise - I was there a few months ago and saw the sunrise.

By: MalcolmS

Edinburgh Castle by sparky2000

Edinburgh Castle

This is a good idea, but I think that it would be stronger if you cropped it into a panorama, loosing some the of the darkness at the bottom, and some of the darker clouds at the top. This would make the castle stand out more against the sky.

I don't know what (if any) post-processing you've done, but there seems to be a slight sharpening halo around the castle.

By: sparky2000

wheear 'as ta bin by paulrankin

wheear 'as ta bin

Love the light just catching the grass.

Have number 30.

By: paulrankin

Asar Malik by Life

Asar Malik

Like the pose and the composition.

By: Life