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The droplets and reflection in them are very well caught. The only thing I would like different would be for you to move a bit to the left, or right, so that the background is one colour and not split down the middle. |
English red squirrel by Enmark Well shot. Would probably chop off 75% off the green foreground at the bottom. |
When you say men do you really mean teenage boys (who we all know some can't control themselves never mind a car)? |
I don't know if this is of any use (or you are doing all of this already), but it's from Corel's reviewers Guide. I don't use PSP so can't offer any practical advice I'm affraid. |
It is a rather dull and flat image. Once you've put the 3 images together and tone mapped it, go into levels or curves (depending on your preference) and adjust the settings to improve the contrast. |
SUNDAY BUS by youmightlikethis I much prefer the 2nd shot with the bus travelling away from you. There are less areas of darkness and the colours reflected off the wet road work really well. Maybe taken from the other side of the street as there seem to be more interesting shop fronts on the side where you are stood although the bus is well placed in the image. I do find the bright sign on the left edge a bit distracting as it is against a dark building and draws the eye to the edge of the image. Maybe you could get a couple of people on the street corner in front of the yellow window. |
wasp by wildlife123 A slighlty bigger depth of field would ensure that the end of the abdomen, the hairs on the abdomen and thorax and forward legs are sharp. I also feel that the image has been cropped to tight on the top left and bottom as the sides are too close to the head wings and legs. |
It's a real shame it hasn't got it's tail sticking up, but this is a really good shot. I like the dappled background and the squirrel is spot on. |
Hi Fran, |
The processing suits this image well. Like the hazy sheen it's given the car. |
I love classic cars, shame about the number plate though. |
I'm wondering if the face of the guy with the tea cup has been blurred intentionally in post processing. I say this 'cause the blur effect looks slightly unreal, especially compared to the woman's (Natalie Portman?) face in the background. Also, there are areas of his coat (and his neck) that are roughly on the same plane as his face that are more in focus than his face. It looks like he is stood right next to the cameraman and his face should be just as much in focus as the cameraman's is. If the intentional blurring is to try and draw attention away from Mr Teacup then I'm afraid it hasn't worked. |
Masts on the Hudson by estrawser I think the 2 main elements of this image are the Empire State and the catarmaran. Unfortunately the catarmaran has been chopped off on 3 sides. Move a fraction to the right and shoot it portrait format to include all of the boat. You will then have the catarmaran's mast mirroring the Empire State. Keep it mono if there are too many distracting colours fighting for attention. |
As previously said, the image is way too dark, but that Dave may have taken it a bit too far. As you said, a happy medium is required. I feel though that it is only the glass worker, his chair and bench of tools behind him need lightening. The people stood in the background can remain dark so that they don't act as a distraction and help maintain the feel of gloomy surroundings. |
Vacant Seat by gasah The sunlit background is very distracting. An alternative to this shot would be to get down lower so the plasterwork fills the frame (maybe use the stonework to create a frame left and right but clone out the nails). Shoot it portrait format and make more of the chair and it's shadow (may need to move the chair to the left a fraction). Could even then convert it to black and white. |
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