Reviewed in detail, the 20 megapixel Panasonic Lumix GX8 with 4K video and built in image stabilisation.
| Panasonic Lumix DMC-GX8 in Mirrorless Cameras
The Panasonic Lumix GX8 is the first dual Image Stabilisation CSC camera from Panasonic and features a new 20.3 megapixel Micro Four Thirds sensor with sensor-shift image stabilisation. The sensor shift is designed to work in combination with optical image stabilisation built into Panasonic lenses for improved image stabilisation. The camera records 4K video and photos, features a tilting high-resolution electronic viewfinder, a vari-angle touch screen, and 8fps continuous shooting at full resolution. The Panasonic Lumix GX8 will be available at the end of August priced at £999 body only.
Panasonic Lumix GX8 Features
The Panasonic Lumix GX8 updates the GX7, which will remain on the market. The GX8 is said to give a 15% improvement in detail, and in Image Quality, with improved dynamic range, along with an improved noise to signal ratio, thanks to the use of a new 20.3 megapixel Micro Four Thirds sensor which is used in combination with the latest Panasonic Venus image processing engine. The GX8 also offers in-camera raw processing, highlight-shadow control, clear retouch, filters, plus an updated panoramic mode giving an option of a wider view.
The Dual Image Stabilisation system is a 4-axis in-body sensor shift system, which works in conjunction with the optical image stabilisation in Panasonic lenses, which feature a 2-axis system. In video mode, the camera uses a Hybrid image stabilisation system to give 5-axis image stabilisation for FullHD video, but not 4K video. The dual image stabilisation system is said to give comparable image stabilisation performance to Olympus' 5-axis image stabilisation system found in the Olympus OM-D E-M5 Mark II.
A new exposure compensation dial has been added underneath the mode dial. You can customise the front and rear controls, and there is a function button to alter the way the dials operate. The camera will shoot at 8fps in continuous shooting mode with fixed AF or 6fps with continuous AF. There is also a 2.5mm mic socket on the side of the camera, which is now weather-sealed.
4K Photo features: Using the 4K video technology, as featured on the Panasonic Lumix G7, there are various modes to extract 8 megapixel still images, with the option of 3:2, 1:1, 4:3 or 16:9 aspect ratios, these are:
- 4K Burst Shooting - allows up to 29 minutes and 59 seconds of continuous shooting at 30fps
- 4K Burst (Start/Stop) - starts continuous shooting with the press of the shutter button and stops with the second press - suitable for shooting opportunities that require a longer waiting time (up to 29min 59 seconds)
- 4K Pre-burst - records 30 frames the second before and after the shutter is pressed giving you 60 chances to capture the perfect moment.
You can save 4K photos straight from the camera, without having to process the video files on your computer. Lightroom can also be used to select frames from the video. 4K video is useful as it can also be used to create 1080p video, to either crop for a 200% view, digitally stabilised or reframed, amongst other things.
Panasonic Lumix GX8 Key Features:
- 20.3mp Micro Four Thirds sensor – highest picture quality in Lumix G -
- Dual IS system – 4-axis in body and lens (2-axis) stabilisation working together (for first time) – works in both video and stills (video sensor electronic stabilisation plus lens)
- 2360k dot OLED LVF (EVF) Tiltable, 0.77x magnification, high optical quality
- 3inch vari-angle monitor 1040k OLED (vari-angle), touch screen
- Splash / dust proof mag alloy body
- 4K photo (8mp, 30fps) / 4K video (3840x2160, 25fpsUHD)
- Time-lapse video recording
- 8fps continuous shooting / 6fps with AFC
- ISO100 – ISO25600
- Wi-Fi / NFC / QR code
- USB tethering
- 340 shot battery life
Panasonic Lumix GX8 Handling
The Panasonic Lumix GX8 is noticeably larger than the GX7 it updates, with a larger electronic viewfinder (EVF), that has a high resolution and looks extremely large and clear when in use. The EVF has an eye detection sensor so that it will automatically switch on and off when held up to the eye, and the EVF is a tilting unit, that can tilt upwards 90 degrees.
There are front and rear control dials to change aperture and shutter speed when in the correct mode. However, it's also possible to customise these so that you can change the function. Pressing the middle button in the rear dial will also let you change the function of the dial to something else. The camera has updated shutter speeds, with 60 to 1/8000s available with the mechanical shutter and 1/16000s available with an electronic shutter. The camera also has a bulb mode that can take photos with an exposure up to 30 minutes long!
There are a number of intelligent auto modes built in, along with several function buttons that can be customised. There is also a new function button that defaults to aperture preview at the front of the camera, that can easily be pressed when holding the camera. On top is a new exposure compensation dial that makes it easy to dial in exposure compensation when needed, giving the camera more external controls.
There is no longer a built-in pop-up flash, and a flash is not provided in the box with the camera. The camera feels extremely well built with a magnesium alloy body, and the metal dials feel re-assuringly solid. The camera includes diffraction compensation in order to improve image quality when shooting at smaller apertures. The focus points cover a large area of the screen and can be manually selected. You can use the touch screen to set the focus position while the camera's electronic viewfinder (EVF) is held up to your eye, although this can also mean that you accidentally set the focus point with your nose. Luckily this feature can be switched off if necessary.
The screen on the back is a 'vari-angle' touch-screen which can be used to set the focus point, as well as other on-screen options. The screen is bright and clear. When using the screen the display is slightly brighter than it should be, when compared to the electronic viewfinder (EVF), or when viewing images later on the computer. The brightness, contrast and saturation of the screen can be adjusted, which will help ensure you are seeing what you should be seeing when taking photos, which is particularly useful if you are using the screen to gauge correct exposure. Screen brightness can be set to automatic so that the camera will automatically increase the brightness when using the camera outside.
Panasonic Lumix GX8 Function Buttons (Default settings)
Menus – There are multiple menu options and settings, spread over several screens, with the camera displaying hints and tips for each option making it easier to use without having to refer to the manual. The custom function buttons view, shown above, is where you can customise the operation of the camera, with a large number of buttons customisable, although the lack of labels on the physical buttons will make you want to refer to this screen just to check which function does what.
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Main menu of Image app | Remote shooting | Playback |
Built-in Wi-Fi allows you to remote control the camera, as well as transfer images to a smartphone or tablet. Built in NFC makes it easy to setup a connection to a compatible device. Jump mode uses your smartphone's motion sensor to detect when you have jumped and is designed to get a photo of you in mid-air. You can also use the app to add GPS data to your photos.
Battery life - Battery life is rated at 340 shots when using the screen, with reduced battery life when using the EVF. The camera uses the same battery as the Panasonic Lumix G7 (and G6), and the battery and memory card compartments are underneath the camera. Extended use of the 4K pre-burst mode is likely to reduce battery life due to the camera continuously recording photos.
Speed - We took a number of shots to test the camera's responsiveness, from switch on to first photo, shot to shot, focusing speed etc. We take a number of shots and then use the average to ensure accurate and consistent tests, making it easy to compare with other cameras.
Shutter Response | <0.05secs |
Wide - Focus / Shutter Response | 0.1secs |
Full zoom - Focus / Shutter Response | 0.125secs |
Switch on Time to Taking a Photo | 0.8secs |
Shot to Shot without Flash | 0.35secs |
Shot to Shot with Flash | N/A |
Continuous Shooting - JPEG (shots before slow down) |
8fps (140 shots*) |
Continuous Shooting - Flash | N/A |
Continuous Shooting - RAW | 8fps (35 shots*) |
Focus is incredibly quick, as is shutter response, when using the Panasonic 12-35mm f/2.8 lens. Continuous shooting is available with continuous AF tracking at 6fps and we managed this in our tests. * Using a high speed SD card, a Panasonic SDXC Class 10, U:3 with R:95/W:90MB/s.
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Quote:IS Off completely (GX7*) - slowest shutter speed - 1/25s most shots sharp.
Lens based IS (GX7*) - slowest shutter speed - 1/20s
The lens IS gives an improvement from 1/25 to 1/20 sec?
Quote:Sensor only (GX8) - slowest shutter speed 1/20s most sharp
Sensor and lens combo (GX8) - slowest shutter speed - 1/15s
The sensor-only in GX8 is about the same as lens IS on the GX7
But combining them in the much-vaunted Dual IS (lens+ sensor) improves it to a mind-boggling 1/15
Neither of those sets of figures are very impressive over no IS at all.
It was the 'no IS at all' bit that makes it all look a bit off. If someone less stable (such as myself!) gets their mitts on it, I guess the whole set of numbers may well show a greater spread between the different situations.
But comparing the 2-axis IBIS in the GX7 with the 4-axis IBIS in the GX8 (and both of them with the E-M5) the development that seems to be touted for the IBIS in the GX8 seems to be rather disappointing and has a fair way to go for usability with non-stabilised lenses.
Can I ask, its mentioned the shutter is louder, but does it have a nicer shutter sound than the shutter on the GX7? I always hated the shutter sound on the GX7 it sounded like somebody slapping a wet fish!
Two questions:
1. Is the test lens's firmware updated to work with the new Dual I.S.? As far as I know, the new lens firmware hasn't been released. The latest available (to public) is version 1.2 dated May 2015. Could you pls check the version you use? Also what's your camera's firmware version, production or early release?
2. When you compare the images details for ISO3200, you said EM5 II retains more details. Could you pls comment on your methodology? Compare OOC JPEG, or using RAW? If using RAW, what converter(s)?
TIA
If I buy this and I use it in video mode with a non-IS lens, with an Olympus lens or with a Panasonic lens with OIS when do I get stabilization and when don't I? I can't work it out.
Also the specs say framerates of 24 and 25 in video. What about 50 (as in my GX7), your YouTube video seems to be shot at 50?
As a happy GX7 user, I look forward to seeing results of IQ with the new 20MP sensor. And of course 4K video with 8MP frames is a bonus.
Chris' question about IS is a good one; my understanding is the with a non-IS lens you will still get IBIS, but not 5-axis. Also, as I understand it, with Panny "Mega-OIS" lenses (such as the 100-300mm), you won't get the combined effects of IBIS and lens IS, although you will get the lens IS (which I have found to be very good). For the full IS combination, you need Panny "Power OIS" lenses.
Review updated to clarify that the Hybrid IS works for FullHD video, but not 4K video. Specs also updated to show that 60/50p is available for FullHD video, and 25/24p for 4K video.
Thanks
J
Quote:To the reviewer(Josh?):
Two questions:
1. Is the test lens's firmware updated to work with the new Dual I.S.? As far as I know, the new lens firmware hasn't been released. The latest available (to public) is version 1.2 dated May 2015. Could you pls check the version you use? Also what's your camera's firmware version, production or early release?
2. When you compare the images details for ISO3200, you said EM5 II retains more details. Could you pls comment on your methodology? Compare OOC JPEG, or using RAW? If using RAW, what converter(s)?
TIA
Camera firmware 1.0. The lens firmware version was 1.3.
Comparing JPEG OOC images.
The GX7 has a great sensor crop feature that creates a greater zoom. Does the GX8 have this?
GX7 Video teleconverter; 1920x1080 crop from the middle; ~2.4x magnification with no loss in quality. GH4 has same feature (but not in 4K mode). Stills with ETC are 2x @4mp (“S”@4:3).
(Information found in GX7 Manual, p. 211)
Score with Olympus OM-D E-M1: 13
Score with GX7: 10
I'm going to wait until DxOMark has tested with the GX8. I know that their tests are not the only measure of a camera, and that there are significant variations amongst individual units, but the tests do provide some indication.
(That said, I once went through 2 very poor Pentax 55-300mm lenses before finally, on the third try, getting a very good one. The difference was night and day. And I've had similar experiences with cameras. Every one is a bit different, even though they are the same make and model.)
Quote:To the reviewer(Josh?):
Two questions:
1. Is the test lens's firmware updated to work with the new Dual I.S.? As far as I know, the new lens firmware hasn't been released. The latest available (to public) is version 1.2 dated May 2015. Could you pls check the version you use? Also what's your camera's firmware version, production or early release?
2. When you compare the images details for ISO3200, you said EM5 II retains more details. Could you pls comment on your methodology? Compare OOC JPEG, or using RAW? If using RAW, what converter(s)?
TIA
Camera firmware 1.0. The lens firmware version was 1.3.
Comparing JPEG OOC images.
--
Josh:
Thx for the details! The ver 1.3 has not been released to the public, so its existence is new. Now knowing the result was done using the latest lens' firmware tailored to the Dual I.S. but not seeing much advantage, I'm not too thrilled. Panasonic needs to go to the floating sensor route in order to have better stabilization capability.
It does mean there may be more of a crop in some video modes, not certain on that.
Quote:Much as I like my GX7 (I passed on the EM1 due to mediocre video) I have to say that FoToEdge has a point. It is disconcerting to see that Panny lenses score much higher with DxOMark when used on Oly cameras. (For example, see the DxOMark review of the Lumix G VARIO 14-140mm /F3.5-5.6 ASPH.)
Score with Olympus OM-D E-M1: 13
Score with GX7: 10
I'm going to wait until DxOMark has tested with the GX8.
You see I am a little sceptical, these tests carried out were done at a time everybody thought the E-M1 contained a Sony sensor. When chipsure took it apart, they found out it was a Panasonic. I am struggling to understand how these marks can be so different. Tony Northrup advises DxO place too much emphasis on colour. Either way, both these scores are poor, and whilst I suppose it is handy to have a benchmark, for all practical purposes, we are in the realms of nitpickery. The choice between Panasonic and Olympus is about whether you do video and or whether your nerves can handle the frustration of operating the Olympus machines, last only to Fuji's.
"Either way, both these scores are poor"
Actually, for the category of long zoom they are average or better. The typical 55-300mm long zoom for APS-C usually scores 11 or 12, and can go into single digits with certain cameras. That seems to be the price paid for long reach and flexilibity.
That said, I can hardly wait to see the 20MP GX8 coupled with the recently announced Panny 100-400mm OIS zoom lens. Whether stills or video (or 8MP frame grabs from 4K video) this should be an amazing kit for outdoor sports, wildlife, birding, etc.
1. 55-300mm (nearly 6x) is a much greater focal length difference that 35-100mm (less than 3x). Typically there is a severe IQ penalty for greatly increased focal length difference, especially at or near a given price point.
2. 300mm is much greater than 100mm. Typically there is a severe IQ penalty for greatly increased focal length, especially at or near a given price point.
"Does it really drop that low, the overall score for the 35-100mm is 19."
Your point about DxOMark is well taken, since especially with consumer-grade lenses there can be a huge variation from one copy to the next.
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