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Sigma 70-200mm f/2.8 DG OS HSM Sport Review - Performance

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Sigma 70-200mm f/2.8 DG OS HSM Sport Performance

This is an exceptionally sharp lens. At 70mm, centrally sharpness is outstanding at f/2.8 and f/4, excellent from f/5.6 to f/11, very good at f/16 and still good at f/22. The edges are excellent from f/2.8 to f/8, very good at f/11 and f/16, but softening at f/22.

At 100mm, central sharpness is excellent at f/2.8, outstanding at f/4, excellent from f/5.6 to f/11, very good at f/16 and good at f/22. The edges are very good at f/2.8 and f/4, excellent at f/5.6, very good from f/8 to f/11 and soft at f/22.

At 135mm, the centre is excellent from f/2.8 to f/8, very good at f/11 and f/16 and good at f/22. The edges are very good at f/2.8 and f/4, excellent at f/5.6, very good between f/8 and f/16 and softening at f/22.

At 200mm, sharpness still holds up very well, being excellent centrally from f/2.8 to f/8, very good at f/11 and f/16 and good at f/22. At the edges, it is very good at f/2.8 and f/4, excellent at f/5.6, very good between f/8 and f/16 and softer at f/22.

In summary, sharpness throughout is of a very high order and is maintained extremely well over the full range of focal lengths.

 

Sigma 70-200mm f/2.8 DG OS HSM | S MTF Charts

How to read our MTF charts

The blue column represents readings from the centre of the picture frame at the various apertures and the green is from the edges.

The scale on the left side is an indication of actual image resolution as LW/PH and is described in detail above. The taller the column, the better the lens performance.

For this review, the lens was tested on a Canon EOS 5DS R using Imatest.

 

CA (Chromatic Aberration) is also well under control over the full zoom range. At the centre, CA is virtually banished and at the edges is still controlled to mostly well under 1 pixel. Further correction could be applied using software if desired, but for many subjects, it will not be necessary.

 

Sigma 70-200mm f/2.8 DG OS HSM | S Chromatic Aberration Charts

How to read our CA charts

Chromatic aberration (CA) is the lens' inability to focus on the sensor or film all colours of visible light at the same point. Severe chromatic aberration gives a noticeable fringing or a halo effect around sharp edges within the picture. It can be cured in software.

Apochromatic lenses have special lens elements (aspheric, extra-low dispersion etc) to minimize the problem, hence they usually cost more.

For this review, the lens was tested on a Canon EOS 5DS R using Imatest.

 

Distortion is impressively less than many zoom lenses. We have -0.93% barrel at 70mm; +0.59% pincushion at 100mm; +1.31% pincushion at 135mm and +1.60% pincushion at 200mm. Again, further correction can be applied using software, but will not be needed for most subject matter.

Bokeh is smooth, helped no doubt by the 11 rounded blades of the diaphragm.

Flare is pretty much absent from the lens. A slight reduction of contrast might be induced if the light source is strong and right at the edge of the frame, but for most normal applications there is no flare.

There is a generally modest amount of vignetting. At 70mm, f/2.8 sees -1.6 stops of corner darkening. This reduces to -1.4 at f/4, -1.2 at f/5.6 and thereafter -1.1 stops through the rest of the range.

At longer lengths, we have around -1.7 stops at f/2.8, reducing to -1 stops down to f/8 and -0.7 stops thereafter.

The OS (Optical Stabilisation) system delivers exactly what Sigma promise – 4 stops advantage. This is a huge benefit and we can obtain sharp images at ludicrously slow shutter speeds.

 

Sigma 70-200mm f/2.8 DG OS HSM | S Sample Photos

 

Sigma 70-200mm f/2.8 DG OS HSM | S Aperture range

You can view additional images in the Equipment Database, where you can add your own review, photos and product ratings.


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Comments


For an amateur like me this lens' obvious competitor is the Tamron G2 70-200 f/2.8, which has also had some stonking reviews. I intend buying one or the other for my Nikon D750 to replace my old Sigma 70-200, but which is better, or is it no more than personal preference?

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10 Jan 2019 1:44PM
It's not such a simple question as we need to define what we mean by "better" and that can vary from photographer to photographer. I don't think you can go far wrong with either choice, so perhaps get to handle both if you can, either at a dealer or maybe an exhibition.
20 Jan 2019 8:58AM
"Better" in what way? AF performance? CA? Image Stabilization? Distortion? Sharpness? At f/2.8 or at f/8? At 70mm or at 200mm? For close subjects or more distant subjects?
28 Apr 2019 11:19AM
Taking the comments a step further, I'm really stuck on the idea of having to use the MC-11 adapter to use this lens on a Sony. Why didn't Sigma make the Sony version for Sony, without an adapter that has already proven not ideal for adapting other brands. Bottom line: Resale on a Sigma will always be less than the OEM, so it damn well better be a keeper, in every way matching or exceeding the OEM glass. You spent how many thousands on your body? And you are going to live with less than the best glass? C'mon Sigma. You need to be a G Master killer WITHOUT adapters!

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