We take a look at two of the most important mirrorless cameras announced in the last couple of years, the full-frame Sony Alpha 7R and the Olympus OM-D E-M5.
| Sony Alpha 7R in Mirrorless Cameras
The Olympus OM-D E-M5 shook up the mirrorless and Digital SLR market when it was introduced last year in 2012, with a classic SLR styling, combined with the Micro Four Thirds system, and a Sony sensor, it set a new benchmark in the level of image quality possible from such a compact mirrorless camera.
The design and built in electronic viewfinder, along with weather sealed body, made it an appealing option for many meaning they did not have to carry their large DSLR camera with them. Since then, nothing has really come close to shaking up the camera market so much, until this week, when Sony introduced the full-frame Sony Alpha 7 and 7R mirrorless cameras.

Both of the new Sonys features a rather striking resemblance to the Olympus OM-D E-M5, so we thought it would be interesting to look at them side by side. The Sony Alpha 7 and 7R also feature a weather sealed body, built in electronic viewfinder, tilting rear screen, and similar classical SLR styling with a very angular pyramid viewfinder on the top.

The Carl Zeiss 24-70mm lens mounted on the Sony Alpha 7.
Due to the large full-frame sensor on the Sony Alpha 7 and 7R - the lenses are likely to be larger than Micro Four Thirds lenses. However should still offer a much more compact solution than traditional full-frame Digital SLRs, which are larger by nature when compared to mirrorless cameras, due to the mirror and optical viewfinder system.

The Sony Alpha 7 (and 7R) will need a new Sony FE Mount lens to take advantage of the full frame sensor, with a 24 megapixel sensor in the A7, and a 36 megapixel sensor in the A7R.

Sony Alpha FE-Mount Lenses: Carl Zeiss 35mm, 55mm, 24-70mm, and 28-70mm.
Sony has announced 5 new lenses for the Sony FE-Mount, with the first lens, the Carl Zeiss 35mm f/2.8, released November 2013 at the same time as the cameras, and Carl Zeiss SEL55mm f/1.8 and Carl Zeiss SEL24-70mm f/4 Z released January 2014. The following two lenses, the Sony SEL28-70mm f/3.5-5.6 OSS and Sony SEL70-200mm f/4 OSS G, from Spring 2014. Carl Zeiss has also announced plans to release additional lenses in 2014.

Using current Sony NEX E-Mount lenses will result in a cropped photo or heavy vignetting. You can use a Sony Alpha A-Mount lens with an adapter, shown above left, which will allow auto-focus, or alternatively, like the Micro Four Thirds system, there are a number of adapters available to allow the use of full-frame lenses from other manufacturers such as Leica, Nikon, Canon, etc, although most of them will require manual operation (depending on the adapter). With the added weight of the adapter, and the potential size of full-frame lenses, the optional battery grip will be advisable for those that would like to have something else to hold on to, to make the camera feel more balanced.

With the Olympus OM-D E-M5, image stabilisation is built in with an impressive 5-axis image stabilisation, that works in video mode as well. The Sony Alpha 7 and 7R instead uses optical image stabilisation that is lens based, so you will need to ensure your lens features optical IS if you require it.

The rear of both cameras features a 3 inch tilting screen, however the Olympus OM-D E-M5 has a touch screen, making setting the focus point very easy. The Sony screen tilts further for shooting with the camera low down.

Both cameras feature front and rear control dials for aperture and shutter settings, or other changes, to settings, however the Sony Alpha 7 and 7R feature an exposure compensation dial.
The Sony Alpha 7/7R has a noticeably larger hand grip when compared to the Olympus OM-D E-M5, with the E-M5 having the option of a two part battery grip, or alternatively you could consider the newer Olympus OM-D E-M1, which has a significantly larger grip, and a more Digital SLR styled body.

Both cameras are weather sealed, and give side access to the memory card slot, with the battery compartment underneath. It will be interesting to see how the new full-frame mirrorless cameras perform when they are available, and whether Sony will gain further market share from Nikon and Canon (and others?) as a result. Until we have full production versions in for review, feel free to have a look at our hands-on reviews with sample photos below:
Read our Sony Alpha 7 Hands-on Review with Sample Photos
Read our Sony Alpha 7R Hands-On Review with Sample Photos
Read our Olympus OM-D E-M5 Review
Comparison Table
Sony Alpha 7R | Olympus OM-D E-M5 | ||
Manufacturer | Sony | Olympus | |
Image Sensor | |||
Pixels | 36.4Mp (Megapixels) | 16.1Mp (Megapixels) | |
Pixels (W) | 7360 | 4608 | |
Pixels (H) | 4912 | 3456 | |
Sensor Type | Exmor CMOS | Live MOS Sensor | |
Sensor Size | Full-Frame | Micro / Four Thirds | |
Sensor Size (width) | 35.9mm | 17.3mm | |
Sensor Size (height) | 24mm | 13mm | |
Aspect Ratio |
|
| |
LCD Monitor | |||
LCD Monitor | 3in | 3in | |
Screen resolution | 921k dots | 610k dots | |
Touch Screen | No | Yes | |
Focusing | |||
Focusing modes |
|
| |
Exposure Control | |||
Shutter speeds shortest | 1/8000sec | 1/4000sec | |
Shutter speeds longest | 30sec | 60sec | |
Bulb mode | Yes | Yes | |
Exp modes |
|
| |
Metering |
|
| |
ISO sensitivity | 100 - 25600 | 200 - 25600 | |
White balance |
|
| |
Exposure Comp | +/-3 | +/-3 | |
Viewfinder | |||
Viewfinder Resolution | 2,359,296 dots | 1.44million dots | |
Magnification | No Data | 0.575x | |
Shooting Options | |||
Continuous shooting | 4fps | 9fps | |
Video | |||
Movie mode | Yes | Yes | |
Video Resolution |
|
| |
Video FPS | 60p, 25p | 30 | |
Stereo Sound | Yes | Yes | |
Optical Zoom with Video | Yes | Yes | |
Other Features | |||
Image Stabilisation | No | Yes | |
Interface | |||
HDMI | Yes | Yes | |
USB | USB 2 | USB 2 | |
Wi-Fi | Yes | No Data | |
Storage | |||
Card Type |
|
| |
File Type |
|
| |
Power Source | |||
Battery Type | Lithium-Ion | Lithium Ion | |
Battery Life (CIPA rating) | 270shots | 330shots | |
Box Contents | |||
Box Contents | No Data | Body, Flash FL-LM2, Li-ion battery BLN-1, Li-ion battery charger BCN-1, USB/Video Multi cable, Shoulder strap, OLYMPUS Viewer 2/ib CD-ROM, Instruction manual, Warranty card | |
Dimensions | |||
Weight | 407g | 373g | |
Width | 126.9mm | 121mm | |
Height | 94.4mm | 89.6mm | |
Depth | 48.2mm | 41.9mm | |
View Full Details | View Full Details |
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I like the idea of smaller/lighter gear that offers quality. Unfortunately the 35mm format because of the necessary size of optics just doesn't lend itself to that system wide. So it's unfortunately a pretty flawed concept.
I know that 'size matters' for some people and for those who it does then this brings some positive relief but the comparison here, a FF system with the Micro 4/3 system, though interesting, is a bit like comparing chalk and cheese.
I for one welcome the increased development of FF and its potential increased availability to more people. Of course the price is still high though lower than the Canikon competition but heading in the right direction. In conclusion I think Sony deserve credit for moving this forward.
An accompanying 18-100(150) zoom lens would be so friendly & practical.
Come on Sony, go for it!
"However should still offer a much more compact solution than traditional full-frame Digital SLRs, which are larger by nature when compared to mirrorless cameras, due to the mirror and optical viewfinder system." NOT SO. Result will be small camera with large lenses, not the most comfortable combination
Both brands have succeeded in being different and moving away from the tried and tested route.
Quote:These two camera`s have a fair bit in common, but only one of these is mirrorless.
Both brands have succeeded in being different and moving away from the tried and tested route.
Is this a joke? If it is I don't get it.
Oh hang on. It's not a joke. I just didn't understand your remark. Now I do. I think...
in my 35mm days, 10 x 8 was usually the largest size I printed with my enlarger, and my 35mm slides stayed as 35mm slides for projection.
Do you think these very high pixel counts are there just as a selling point or do they have practical advantage over lower pixel counts.
I prefer APS-C, and I would not like to go above 16mp for several reasons.
Quote:So near & yet so far. I am Sony Fan since Sony camera started, & 7R has what I want; EXCEPT: 01- Image Stabilisation, 02- touch-screen. Why trim off these 2 important features?
An accompanying 18-100(150) zoom lens would be so friendly & practical.
Come on Sony, go for it!
DITTO! Why oh why not go with IBIS??? Panasonic has OIS yet they introduced the GX-7 with IBIS. Why, with such an adapter friendly system would you not use IBIS? Olympus has shown it can be very effective! Why no touch screen? A touch screen with touch shutter can be very useful. No GPS on a high end system? C'mon! I'll stick with my a77 till they get it right.
Quote:These two camera`s have a fair bit in common, but only one of these is mirrorless.
Both brands have succeeded in being different and moving away from the tried and tested route.
No joke but I think I may have made a boob, I can`t see a mirror on that Sony after all
Quote:The daftest thing about these cameras - one of them anyhow - is the megapixel count. Why does anyone need 36 mp to look at a picture on a computer screen - or even print up to A0? Waste of hard drive space if you ask me.
It will be over kill for most of us
That's why I still keep my OM-4 and OM Zuiko 85mm f/2, and some HP-5 and FP-4. I am seriously considering getting an Alpha 7 body for the sole purpose of portrait shooting, but I don't know… the OM-4 is just too cool a camera to abandon!
But, for most general shooting, and DEFINITELY for travel photography, NOTHING beats the form factor of MFT. I carry an MFT body, and lenses spanning 7mm to 200mm (in full frame equivalent: 14mm to 400mm) in a small shoulder bag. That's amazing. I shudder to think how big an equivalent full frame system would be - even if mirror less.
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