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Top 28 Best Telephoto Zoom Lenses 2019

If long telephoto reach is what you're after in a lens then look no further than our top tele zoom countdown to find the best of the best.

|  Fujifilm 70-200mm f/2.8 DG OS HSM | S in Interchangeable Lenses
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If you're looking for the best telephoto zoom lens for your camera, then you've come to the right place. Here we list the best telephoto zoom lenses available. Based on our expert reviews of hundreds of lenses, we've highlighted the best lenses available. 

If you're an amateur bird photographer who enjoys photographing blackbirds in your back garden or are a safari fan who captures images of big game, you're going to need the reach a telephoto lens can offer you. Now you could opt for a prime but unless you're a pro who regularly uses their lenses, they can be a hefty investment and actually, probably out of reach for most. However, there are plenty of telephoto zoom lenses on the market, new and old, that will get you the frame-filling shots you're after without having to go hungry for a year to fund its purchase. 

We've actually reviewed a large number of telephoto lenses, and for this guide, we've looked all the way back to 2012 to bring you the most comprehensive guide to telephoto zooms we possibly can. Prices are in the region of £1200+ and focal lengths reach a huge 600mm on some of the lenses featured. The shortest focal length on the list is 50-135mm and we've chosen 50mm as a starting point as tele zooms around this point are roughly equivalent to 70-200mm on a crop sensor which is the traditional focal length people tend to think of when they're asked to name a telephoto zoom. 

There are plenty of own-brand lenses featured alongside third-party lenses that scored well when on test with our reviewer and as with all of our top lists, various factors are taken into consideration, including performance and price, when compiling our guides.

If you don't see one of your favourite lenses on the list, it could be it didn't score high enough or we've simply not put it to the test yet but we're more than happy to hear your suggestions so please feel free to list them below.

If you want to, you can purchase/find more information about each lens listed by clicking the green Amazon buttons featured below each product. It doesn't cost you anything extra when you press our Amazon buttons but by using our Amazon Affiliate links when ordering anything online, you are supporting the site - thank you.

 

1. Sigma 70-200mm f/2.8 DG OS HSM Sport

Sigma 70 200mm F2,8 Sport Front Oblique View
 

There are quite a few 70-200mm f/2.8 lenses, none of them exactly cheap. For those who want a lower cost or a lighter lens, there are the f/4 versions, but many photographers will seek the reduced depth of field that a fast, bright f/2.8 aperture has to offer.

In terms of quality, we rarely see a zoom lens that offers such an evenly fantastic performance as this new Sigma, and at a basically very reasonable price. Without a doubt, the Sigma 70-200mm f/2.8 DG OS HSM S is a lens of choice, and therefore, without doubt, is awarded an Editor's Choice.

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2. Fujifilm Fujinon XF 50-140mm f/2.8 R LM OIS WR

Fujifilm Fujinon XF 50 140mm Lens (3)
 

This lens may have been around for a couple of years now but its price, performance and features mean it takes our top spot in this countdown. The Fujifilm Fujinon XF 50-140mm f/2.8 R LM OIS WR provides a field of view equivalent to a 75-210mm lens on a 35mm camera, and sports a fast constant f/2.8 maximum aperture, optical stabilisation and costs around £1300. It also sports a weather-resistant construction, focuses quickly and is robustly built. Fujifilm has created a lens capable of delivering image quality of the highest order and its performance puts it on par with the finest 70-200mm f/2.8 optics available for full frame cameras and invariably, they cost a fair bit more than £1300.

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3. Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO

Olympus M Zuiko 40 150mm F2 8 PRO (10)
 

This telephoto zoom lens for Micro Four Thirds (MFT) system cameras provides an angle of view equivalent to an 80-300mm lens used on a 35mm format camera and sports a constant f/2.8 maximum aperture throughout the zoom range. The lens is also moisture and dust resistant and is available from around £1300. The fact that the Olympus M.Zuiko Digital ED 40-150mm f/2.8 PRO offers a unique zoom range, whilst maintaining a fast f/2.8 throughout, makes this lens very appealing and that's even without mentioning its great build quality and performance. For the most part, it handles well too, thanks to its robust build and relatively lightweight and compact size. Although, it's worth noting that it still may be a little large for use with the smallest Micro Four-Thirds bodies. 

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4. Nikon AF-P DX Nikkor 70-300mm f/4.5-6.3 G ED VR

Af P Nikkor 70 300mm Vr Front Oblique View
 

The Nikon AF-P DX Nikkor 70-300mm f/4.5-6.3 G ED VR as a relatively new lens that sports VR and a very attractive 35mm format equivalent of 105-450mm. Overall, the lens performs brilliantly, giving sharp, flare-free images at wider to mid apertures, with lovely bokeh and virtually no CA. Add to that a superb VR performance and the package is hard to beat. It's an outstanding lens and it's currently available at a fantastic price, too. 

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5. Canon EF 70-200mm f/4L IS II USM

Canon EF 70-200mm f/4L IS II USM

 

A well crafted photographic tool that does its job flawlessly is always a pleasure to use, and this new lens can be fairly described as just that. Fair enough, we lose a little of the ability to throw backgrounds out of focus by sacrificing the usual f/2.8 aperture, but we gain portability, a lower cost and there is really very little sacrifice in terms of narrow depth of field. The f/4 70-200mm lenses, in general, look an attractive proposition and the Canon EF 70-200mm f/4L IS II USM is a particularly good example.

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6. Nikon AF-S Nikkor 70-200mm f/4G ED VR

AF-S Nikkor 70-200mm f/4G ED VR
 

Covering the popular 70-200mm range and offering a constant f/4 aperture, this is a lens that's found its way into many kit bags. It delivers sharp, contrasty images, focuses fast and isn't so heavy that you'd regret packing it in your camera bag. With the price of the Nikon AF-S Nikkor 70-200mm f/4G ED VR still hovering above the £1000 mark, it may seem like a lot of money to shell out for a lens with a maximum aperture of f/4 but when you take its optical performance into consideration, it's worth it (even more so if you're after a similar performance to the f/2.8 equivalent).

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7. Tamron SP 70-200mm f/2.8 Di VC USD G2

Tamron 70 200mm G2 Front Oblique View
 

The Tamron SP 70-200mm f/2.8 Di VC USD G2 lens is a new, upgraded optic with moisture and dust resistance, faster AF and improved 5 stop VC (Vibration Compensation). It joins a long line of 70-200mm zooms and doesn't disappoint with it performing as well as lenses costing up to twice as much. It may not have the same silky smoothness in operation as its more expensive competition, but it delivers the goods, making no compromise on image quality. Add to that the amazing VC system and moisture and dust resistance and Tamron have a definite winner on their hands.

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8. Canon EF 100-400mm f/4.5-5.6L IS II USM

EF 100 400mm F4

When the Canon EF 100-400mm was first released, it had a lot to live up to and as far as the performance of the lens is concerned, it had no problem living up to the reputation created by the older version of the lens. Those using the lens a few years on will still be happy with the image quality, focus speeds and how the lens handles. Sharpness is good, build quality is excellent and the lens also offers relatively low distortion. The body is weather and dust resistant which is always a positive and it's relatively lightweight for a telephoto. 

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9. Sony FE 70-200mm f/2.8 G Master OSS 

FE 70-200mm f/2.8 GM OSS
 

The Sony G Master FE 70-200mm f/2.8 OSS is, without a doubt, a very fine lens. It operates smoothly, is well made, uses the latest technology to achieve outstanding sharpness evenly across the frame. However, it is not without flaws, particularly a slight tendency to flare against the light. Ther is some fairly obvious CA at the edges at 200mm, but this can be corrected in software.

So, apart from a couple of small points, we are left with a pretty outstanding lens and Sony Alpha A7 system users will not go a step wrong by investing in it.

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10. Nikon AF-S NIKKOR 180-400mm f/4E TC1.4 FL ED

Nikon AF-S NIKKOR 180-400mm f/4E TC1.4 FL ED

The Nikon AF-S Nikkor 180-400mm f/4E TC1.4 FL ED is a large and heavy lens, but it does the job and to a very high standard. It is also fast in terms of functions such as AF as well as in terms of its bright f/4 aperture. It is also very, very expensive.

Most of us will have to settle for other options, but this lens falls into that category where quality and specification will be unique to the photographer's needs. Professionals who need this lens will know they need it and why, and VFM will be in the money it earns. There may well also be some well-off amateurs who can become lucky owners of this very fine lens, but I suspect they will be few in number. In any event, it deserves to be Highly Recommended.

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11. Sony FE 70-200mm f/4 G OSS

Sony Fe G 70 200mm F4 Front Oblique View
 

No, you're not seeing double but yes, this is another 70-200mm lens from Sony. However, this time, it has a f/4 maximum aperture which has allowed Sony to trim the size of the lens. The f/4 aperture is not much of a disadvantage, even an advantage in terms of size and cost, and the performance is such that the loss is hardly felt.

The Sony FE 70-200mm f/4 G OS is a high-level performer that does the job efficiently. The only slight drawback is the possibility of some flare, but fortunately, this does not seem to be a major problem for most photography. 

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12. Sigma 150-600mm f/5-6.3 DG OS HSM Sports

150-600mm f/5-6.3 DG OS HSM Sports
 

The Sigma 150-600mm f/5-6.3 DG OS HSM Sports lens is an interesting lens that offers good specs and a very reasonable price. It's capable of producing images with excellent sharpness, low CA, and distortion. Those looking for a long lens to add to their kit bag should certainly add this lens to their list of considerations.

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13. Tamron 100-400mm f/4.5-6.3 Di VC USD

100-400mm f/4.5-6.3 Di VC USD

 

The lens is very easy and satisfying to use and the price is certainly attractive. The optical performance is actually excellent overall, the sharpness only falling off at very small apertures. Of course, one of the unavoidable facts of optics is that at longer focal lengths those small apertures soon becomes very small indeed and very susceptible to diffraction effects. Bearing in mind though that high shutter speeds will likely be needed for wildlife and sports it is hardly a major issue.

Processed through Photoshop, with a bit of judicious sharpening where needed, the end results are crisp and very impressive.

The Tamron 100-400mm f/4.5-6.3 Di VC USD is an excellent long telephoto zoom lens at an excellent price.

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14. Pentax HD PENTAX-D FA* 70-200mm f/2.8 ED DC AW

HD PENTAX D FA 70 200mm F2
 

Pentax has a large collection of excellent zoom lenses and the 70-200mm is up amongst the best, a very fine lens with good “character” and bokeh and a high level of sharpness that applies very evenly across the frame. This lens is, actually, ideal for taking advantage of the full area of the 35mm-format K-1. One downside is that the lens is quite heavy but apart from that, it's pretty much a winner. 

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15. Tokina Cinema AT-X 50-135mm T/3

Tokina CINEMA ATX 50 135mm T3 EF (4)
 

Those who are committed to high-end digital video work will appreciate the handling and features of this 50-135mm lens as well as the way it performs. It produces images with relatively low distortion, falloff and high levels of sharpness.

Its parfocal design will also be appreciated and although focus breathing is much reduced compared to many photographic lenses, it is still a feature of this lens and something to be aware of. Those who casually take the occasional video with their SLR won’t be the target market for this lens. Instead, those who can possibly justify dropping a huge chunk of cash on a lens for serious 4K video work are the ones this lens is aimed at. If you’re one of those people, this optic may well be worthy of serious consideration.

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16. Sigma 120-300mm f/2.8 DG OS HSM S

120-300mm f/2.8 DG OS HSM S
 

Although the performance of the Sigma 120-300mm isn't of the same absolute brilliance of the Nikon and Canon fixed super-telephoto lenses, it isn't all that far behind. Add in the flexibility afforded by the zoom and it still makes a compelling alternative to the camera manufacturer's own fast telephoto glass

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17. Pentax HD Pentax-D FA 150-450mm f/4.5-5.6 ED DC AW 

HD PENTAX D FA 150 450mm F4
 

Back in 2015, Pentax camera owners had been crying out for a decent telephoto zoom option, similar to those offered by other camera manufacturers, and their prayers were answered with the Pentax-D FA 150-450mm f/4.5-5.6 ED DC AW.

This lens costs a similar amount to equivalents from other camera manufacturers and performs as well as you'd expect for a top of the range lens of this ilk. Sharpness is good, it's weather and dust resistant, has good build quality and offers low falloff as well as distortion. CA levels are a little high at 450mm but apart from that, the lens is a winner. 

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18. Canon EF 70-300mm f/4-5.6L IS USM

Canon EF 70-300mm f/4-5.6L IS USM
 

The Canon EF 70-300mm f/4-5.6L IS USM may have a slow maximum aperture but this helps keep the weight of the lens down, making it good for those travelling or for those who walk considerable distances with their kit. Optical performance is remarkably consistent throughout the zoom range, which isn't often seen in a 70-300mm zoom, which is impressive in itself, and build quality is of the highest standard. The only main negative is the price as for a lens with a slow maximum aperture, it is on the high side. 

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19. Sigma AF 100-400mm F/5-6.3 DG OS HSM

Sigma 100 400mm Front Oblique View
 

Very long lenses have always been more expensive, with the affordable telephotos ending around 300mm. That extra 400mm is very valuable for wildlife and sports and we have here from Sigma such a lens, but one that is much more reasonably priced.

The features cost is in lens speed, so cameras with good high ISO performance are the order of the day. Other advantages are a more compact and lighter optic, still quite large but nowhere near the bulk of some of the alternatives.

The Sigma AF 100-400mm F/5-6.3 DG OS HSM gives excellent results, and an excellent price in a compact package.

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20. Pentax DA* 50-135mm f/2.8 ED [IF] SDM

Pentax 50 135mm DA Star Lens (1)
 

This lens has been around a while now, but it still manages to hold its own. It delivers very good sharpness in the centre of the frame at maximum aperture, and excellent sharpness across the frame when stopped down. The price of around £890 isn't too much to ask for a quality manufacturer’s own-brand lens either, especially given the excellent build and weather sealing the Pentax DA* 50-135mm f/2.8 ED [IF] SDM offers. 

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21. Samsung S 50-150mm f/2.8 S ED OIS

Samsung S 50 150mm F2 8 ED Lens (3)

 

The Samsung S 50-150mm f/2.8 S ED OIS is very capable of producing excellent results, with high levels of sharpness. CA levels are a little on the high side, but will only become visible on occasion and focusing is accurate enough. 

As a statement of intent to provide a professional-class photographic system, this lens goes some way to providing another fairly interesting option for photographers to choose from, but it may not be outstanding enough to tempt people away from their current cameras systems. If you're starting afresh, or have already invested in Samsung camera equipment, it will provide a decent upgrade path towards professional-level equipment.

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22. Sigma 150-600mm f/5-6.3 DG OS HSM

150-600mm f/5-6.3 DG OS HSM Contemporary
 

With the 150-600mm f/5-6.3 DG OS HSM, Sigma has created a lens that not only performs well, but that offers excellent value for money.

The performance of this lens is quite surprising, especially when compared to the more expensive 'Sports' variant, which costs quite a bit more. It's this combination of decent performance and good value for money that will win this lens many fans.

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23. Canon EF 70-300mm f/4-5.6 IS II USM

Canon Ef 70 300mm Is II Usm Front Oblique View
 

Canon has produced a lens that provides a high level of performance in a fairly compact and relatively inexpensive form. Unless we are able to stretch to the more expensive zooms in the range, the 70-300mm f/4/5.6 IS II USM is a very good compromise between cost and performance. The lens is a very good, solid performer and gives very satisfactory sharp, vibrant images. It is also a pleasure to use.

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24. Nikon NIKKOR 80-400mm f/4.5-5.6G ED VR II

NIKON NIKKOR 80 400MM VR (2)
 

The Nikon NIKKOR 80-400mm f/4.5-5.6G ED VR II delivers crisp images, focuses swiftly and is a pleasure to use. In fact, it is such a joy to use that the asking price almost becomes insignificant. we said almost, as it's still a fair amount of cash to part with.

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25. Tamron SP 150-600mm f/5-6.3 Di VC USD G2

Tamron 150 600mm Front Oblique View
 

The Tamron SP 150-600mm f/5-6.3 Di VC USD G2 lens proved to be an excellent performer. It is heavy but relatively compact, so carrying over several hours is not too onerous, providing a suitable sling or strap is employed. The VC system works well, the controls operate smoothly and nothing is placed so that it might be accidentally switched on or off. All in all, the Tamron SP 150-600mm f/5-6.3 Di VC USD G2 is a very soundly designed optic that offers excellent results.

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 26. Panasonic Leica DG Vario-Elmar 100-400mm f/4.0-6.3 ASPH

Lumix 100 400mm Front Oblique
 

This Panasonic Leica DG 100-400mm lens fits its purpose very well indeed, at a price which, although high, is reasonable in its class. If we want a high-quality optic for sports, birding, wildlife, photojournalism and other long-range applications then this is it. The close focusing that brings closer subjects into range is a bonus.

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27. Fujifilm XF 100-400mm f/4.5-5.6 R LM OIS WR

Fujinon 100 400mm Full Zoom

This is a very well made lens with lovely bokeh and a high level of sharpness. Flare, CA and distortion are all but abolished and images look clean and crisp. The Fujifilm XF 100-400mm f/4.5-5.6 R LM OIS WR is easy to use, the OIS system enables handheld shooting with confidence and the close focus extends the possibilities of subject matter. It is an excellent all-around choice for an ultra-telephoto for Fujifilm cameras.

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28. Sony 70-400mm f/4-5.6 G SSM II

70-400mm f/4-5.6 G SSM II
 

This is an excellent lens, that performs well, and is priced well enough to be considered good value for money too. The build quality is very good, although it is a little strange that it is not weather sealed, as you may expect lenses pitched at this level to be. Even so, the Sony 70-400mm f/4-5.6 G SSM II is a good buy thanks to the improved autofocus speed and anti-reflective coatings, which are both welcome improvements when compared with the old version of this lens. 

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More Top Lists

If you want to see more of our lens recommendations, head over to our 'best lenses' top list section of the site where you'll find countdowns for macro lenses to wide-angle optics and everything in between. 


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Comments


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ChrisV Plus
12 2.3k 26 United Kingdom
15 Jan 2019 5:22PM
You have a frankly weird, not to mention inconsistent view when you compare lenses across formats and equivalence zoom ranges, but forget the aperture equivalents.

Why inconsistent?

Well if you can say [about the Canon 70-200 f4]:

Quote:A well crafted photographic tool that does its job flawlessly is always a pleasure to use, and this new lens can be fairly described as just that. Fair enough, we lose a little of the ability to throw backgrounds out of focus by sacrificing the usual f/2.8 aperture, but we gain portability, a lower cost and there is really very little sacrifice in terms of narrow depth of field. The f/4 70-200mm lenses, in general, look an attractive proposition and the Canon EF 70-200mm f/4L IS II USM is a particularly good example.


You clearly seem to have a concern about the relative effect of aperture on DoF. If you were to stick that optic [with an adapter] on a MFT body, according to your logic, you end up with a 140-400 constant f4 lens. And it would seem cheap as chips, no? I actually think at even modest telephoto ranges, DoF control isnít much of an issue. But relative light gathering is - because it means higher shutter speeds or lower ISO. In fact if you want to get the same [maximum] light overall with a MFT system as you would with that Canon over the same focal range, youíd need a 35-100 f2.

Where the real bugbear lies is when you make value comparisons between things like a 35-100 f2.8 and a 70-200 f2.8. Itís ridiculous because itís not the same thing at all. As I say, itís very easily demonstrated because you can adapt the same lenses made for larger formats on smaller format bodies. Yes you do of course make sacrifices in terms of features - but thatís not an inherent issue with the lens - just that itís not specifically designed for the system. But it does at least give a direct comparison, because it looks like youíve got a very long range with what appears to be an exotic aperture at relatively little expense.

If you feel you have to persist for the convenience of consistency in aperture/shutter speed settings, at least ditch the preposterous value judgements - it does you no favours.
cosmicnode 9 25 England
16 Jan 2019 9:37AM
Nikon 200-500!

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