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Top 42 Best Portrait Lenses Money Can Buy 2018

Top 42 Best Portrait Lenses Money Can Buy 2018 - Here we round-up the Top 42 best portrait prime lenses we have reviewed on ePHOTOzine, ideal for portraits and bokeh.

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Tamron AF 85mm F1.4 EF in Interchangeable Lenses

 

Canon EF 50mm f/1.4 - Canon EOS-1D X Mark II - Photo Joshua Waller

Canon EF 50mm f/1.4 at f/2.0 - Canon EOS-1D X Mark II - Photo Joshua Waller.

 

If you're looking for a bright prime lens for portrait photography then you're looking to isolate your subject with a shallow depth of field, and a blurred background. With a high-quality lens, you'll also get sharp subjects, and some specialist lenses give control over the background blur, or what it's famously now referred to as "Bokeh". With a bright prime lens, you can get a sharp and detailed portrait shot, with beautifully blurred backgrounds, giving excellent subject separation.

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An introduction to portrait lens focal lengths

The classic focal length for a portrait lens is the 50mm lens on a full-frame camera, as shown above, as this is similar to what the eye sees, and is often the first additional lens someone buys when looking to upgrade from the kit lens that comes with a DSLR. It also offers a brighter aperture, compared to the kit lens - and a 50mm f/1.8 lens is very affordable and much brighter than most kit lenses that tend to start at f/2.8 or f/3.5 and then become darker as you zoom. On an APS-C camera, you get a lens equivalent to 75mm making it an ideal portrait lens, but there are many options available, and here we've listed a variety of high scoring portrait lenses. 

 

Portrait Focal Length Examples - Photos: Joshua Waller

Left: 52.5mm equivalent, f/2, Middle: 85mm f/1.8 on FF, Right: 160mm equivalent, f/16, photos Joshua Waller.

 

The longer the focal length and the brighter the lens, the easier it is to get a blurred background when shooting wide-open. Often the brighter and longer the lens is the higher the price of the lens is, so an f/1.2 lens will often cost more than an f/1.8 lens. If you have a look through this list, you might be surprised at some of the prices lenses are available for, as some are particularly good value for money. 

We've separated the lenses into different mounts, so you can find a lens that works with your camera:

 

Portrait lenses for Micro Four Thirds cameras

Micro Four Thirds cameras, from Panasonic, Olympus and others, feature a Micro Four Thirds sensor, which gives a 2x crop factor.

Panasonic / Leica DG Nocticron 42.5mm f/1.2 ASPH.

Panasonic Leica 42 5mm F1 2 Nocticron ASPH 1

The Leica DG Nocticron 42.5mm f/1.2 ASPH. lens (by Panasonic) for Micro Four Thirds cameras is one of the brightest lenses available with AF for the system, and gives the equivalent of 85mm in 35mm terms, making it an ideal portrait lens, when combined with the face and eye detection focus of the latest Micro Four Thirds cameras. The lens features optical image stabilisation making it suitable for slower shutter speeds, and there is an aperture ring on the metal lens, giving it a premium quality feel.

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Olympus M.Zuiko Digital 75mm f/1.8

Olympus M Zuiko 75mm F1 8 Lens1

The Olympus M. Zuiko Digital ED 75mm f/1.8 lens for Micro Four Thirds gives a long telephoto reach of 150mm equivalent in 35mm terms and is an incredibly sharp lens. In our review, we found that the lens gave "incredible optical performance for the price" and the relatively compact lens is available in silver or black.

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Olympus M.Zuiko Digital ED 45mm f/1.2 PRO

Olympus 45mm F1,2 Pro Front Oblique View
This 45mm lens offers a 35mm equivalent of 90mm, and with a bright f/1.2 aperture offers lots of potential for excellent portraits. It offers a very high standard of sharpness throughout the aperture range, and we awarded it a 4.5 star highly recommended award for its outstanding sharpness, low CA, no distortion and a fast, silent AF capability. 

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Panasonic Lumix G 42.5mm f/1.7

Panasonic 42 5mm F1 7 H HS043 (4)

The Panasonic Lumix G 42.5mm f/1.7 ASPH. lens for Micro Four Thirds gives the equivalent of 85mm with a bright maximum aperture of f/1.7 and features built-in Optical Image Stabilisation (OIS) which will be of benefit to users of Panasonic Lumix G cameras without built-in image stabilisation. In our review, we found the lens delivered outstanding levels of sharpness even when shooting wide-open. 

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Kowa Prominar 25mm f/1.8  - 

Kowa Prominar 25mm F1,8 Front Oblique View

The Kowa 25mm is a compact prime lens that offers manual focus for creativity. Kowa is a name traditionally associated with film cameras, and this lens successfully carries the brand over to the digital era. We gave the lens a 4.5 star highly recommended rating for its excellent sharpness, low distortion and a pleasant bokeh.

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Voigtlander NOKTON 42.5mm f/0.95

Voigtlander Nokton 42 5mm F 095 Mft Lens (7)

The Voigtlander Nokton 42.5mm f/0.95 manual focus lens has an incredibly bright aperture of f/0.95, which makes blurred backgrounds and can provide "Outstanding" sharpness when stopped down slightly. For Micro Four Thirds cameras, this lens gives the equivalent of 85mm in 35mm equivalent terms. The lens has an all-metal construction, which gives the lens a solid build quality and feel.

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Olympus M.Zuiko Digital 45mm f/1.8 

Olympus M. Zuiko Digital 45mm f/1.8

The Olympus M. Zuiko Digital 45mm f/1.8 lens for Micro Four Thirds cameras gives a 90mm equivalent in 35mm terms and is a compact, lightweight, and wallet-friendly prime lens available in silver or black versions. The lens performs well, with excellent sharpness.

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Olympus M.Zuiko Digital 25mm f/1.8 

Olympus M Zuiko 25mm F1 8 Lens (1)

The Olympus M. Zuiko 25mm f/1.8 lens for Micro Four Thirds cameras, and gives the equivalent of the classic 50mm lens thanks to Micro Four Thirds 2x crop factor. The lens is compact and lightweight and available in black or silver. The lens offers excellent sharpness in the centre of the frame, even when shooting wide open at f/1.8.

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Portrait Lenses for Sony E Mount cameras

Sony E-Mount cameras come as APS-C or full-frame mirrorless cameras, with lenses working on both formats.

 

Sony FE 100mm f/2.8 STF GM OSS 

Sony 100mm F2,8 Stf Front Oblique View
 

There is no doubt this is an amazing, high-quality optic and that the use of an apodization element adds something very special. It would be easy to think of this in too narrow a way, but the obvious application is of course for portraiture. This could give that something extra to images where already, to be fair, we can get beautiful bokeh with existing lenses. But this does go the extra mile, offering outstanding sharpness as well as that vital, gorgeous bokeh. The Sony FE 100mm is actually a total pleasure to use.

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Sony FE 85mm f/1.4 G Master 

Sony Fe 85mm F1,4 Top View
 

The Sony FE 85mm f/1.4 G Master lens is a traditionally very high-quality choice. It is ideal for many more types of subject than portraits, although with the beautiful bokeh provided portraiture may well be high on the list for users of this lens. A very fine lens, very well made and a joy to use, this is superb in every respect.  

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Samyang AF 50mm f/1.4 FE 

Samyang 50mm F1,4 Front Oblique View
 

The Samyang AF 50mm f/1.4 FE is a beautiful lens that performs to a very high standard. The cost has been a fairly large and relatively heavy lens, but that may be a small price to pay for an optic that can deliver such beautiful results.

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Zeiss Planar T* FE 50mm f/1.4 ZA 

SEL50F14ZA A
 

The only major drawback of the Zeiss Planar T* FE 50mm f/1.4 ZA has to be the price; the weight and size can perhaps be forgiven. It does offer a very high standard of performance, including very appealing bokeh, and a superb level of sharpness throughout.
 
In terms of quality of results it speaks for itself, and if the price can be afforded then the lens should offer many years of excellent service. Another superb lens from the Sony/Zeiss stable.

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Sony FE 85mm f/1.8 

Sony Fe 85mm F1,8 Front Oblique View
 

The Sony FE 85mm f/1.8 lens is superb to use, and also superb in many ways in terms of its performance. The lower cost compared to most 85mm lens does not seem to have reduced the performance at all. So full credit to Sony for achieving this.

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Zeiss BATIS 85mm f/1.8  

Zeiss Batis 85mm F1 8 FE Mount

The Zeiss BATIS 85mm f/1.8 Sonnar T* lens for full frame Sony E-mount cameras, this lens features optical image stabilisation built into the lens and features auto-focus, as well as a built-in LCD display on top of the lens. The 85mm f/1.8 lens will also work on APS-C Sony E-mount cameras, giving a 127.5mm equivalent in 35mm terms. 

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Sony 50mm 1.8 OSS - 

Sony E 50mm F18 Oss (3)

The Sony E 50mm f/1.8 OSS lens is designed for APS-C Sony E-mount cameras, giving the equivalent of 75mm, and the lens features OSS (Optical Steady Shot), which is Sony's name for optical image stabilisation. The lens can be used on full-frame Sony E mount cameras, but the image will be cropped, giving the equivalent of 75mm. The lens is available in silver or black. 

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Meike 50mm f/1.7

Meike 50mm F1,7 Front Oblique View
The Meike 50mm f/1.7 is a lens made of metal that features manual focus and a bright aperture. It's supplied with a petal lens hood and has a standard 52mm filter thread. We were happy to recommend the lens due to even sharpness, solid metal construction and dust and moisture resistance, as well as a great price. 

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Sainsonic Kamlan 50mm f/1.1

Kamlan 50mm F1,1 Front Oblique View

This Kamlan 50mm lens features a jaw-dropping f/1.1 max aperture, and this combined with the classic focal length of 50mm should give excellent portraits. A relatively simple optical design of 5 elements in 5 groups helps keep the lens compact. We gave it a 4 star recommended rating for good flare resistance, low distortion and a very low price. 
 

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Portrait lenses for Fujifilm X Mount cameras

Fujifilm X series cameras feature an APS-C sized CMOS sensor and a Fujifilm X-Mount.

 

Fujifilm Fujinon XF 50mm f/2 R WR 

XF50mmF2 R WR Black Horizontal
 

The Fujifilm Fujinon XF 50mm f/2 R WR is another superb Fuji lens. It is sharp, crisp and produces pleasant bokeh. Plus, it is compact, weather resistant and relatively modest in price. 

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Fujifilm XF 90mm f/2 R WR

Fujifilm Fujinon XF90mm F2 R LM WR Hands On (1)

The Fujifilm Fujinon Super EBC XF 90mm f/2 R LM WR lens (try saying that in one breath) gives the equivalent of 135mm, with weather resistance, and an aperture ring on the lens, this is one of the longest prime lenses available for Fujifilm X mount cameras, and is capable of giving great bokeh. 

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Fujifilm XF 56mm f/1.2 / 56mm f/1.2 APD

Fujifilm XF 56mm APD Lens (6)

The Fujifilm Fujinon XF 56mm f/1.2 R lens provides a field of view equivalent to an 84mm lens on a 35mm camera and sports a very bright f/1.2 maximum aperture. The lens is available with or without APD, for softer background blur with the APD version. 

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The Fujifilm Fujinon XF 56mm f/1.2 R APD version contains an apodisation (APD) filter in the optical path. The inclusion of this filter promises to produce smoother out of focus areas (bokeh), whilst maintaining crisp focus on your subject, although this does bump up the price of the lens.

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Portrait lenses for Digital SLR Cameras

Full-frame and APS-C Digital SLRs can make the most out of bright prime lenses, with larger sensors than some cameras, and a number of the following lenses are available in a number of different mounts, with some of them also available for mirrorless cameras.

 

Samyang Premium MF 85mm f/1.2 

Samyang 85mm F1,2 Top View
 

Samyang has here a great lens. Superb performance, substantially less cost than the one alternative or most of the f/1.4 alternatives and, provided we are happy with manual focusing, a really viable option. The MF 85mm f/1.2 is a very attractive lens at a very attractive price.

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Tamron SP 85mm f/1.4 Di VC USD 

Tamron SP 85mm F1 8 VC Lens White BG

The Tamron SP 85mm f/1.8 Di VC USD lens features built-in vibration correction (VC), which is rare on a portrait lens, and should help in low-light situations where you are forced to use a slower shutter speed. Available in Canon, Nikon and later Sony A mount. 

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Sigma 85mm f/1.4 DG HSM 

Sigma 85mm F1 4 Lens

We called the Sigma 85mm f/1.4 DG HSM lens "a real gem" in our review, and consider it a relatively affordable wide aperture telephoto lens, that is capable of producing superb results. The Sigma 85mm f/1.4 DG HSM is available for Canon, Nikon, Sony and Pentax DSLRs, and gives the equivalent of 127mm on APS-C 1.5x crop cameras (Nikon, Pentax, Sony), and 136mm on Canon APS-C DSLRs.

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Sigma 135mm f/1.8 DG HSM Art

Sigma 135mm F1,8 Art Front Oblique View
The Sigma 135mm lens is on the longer side for a portrait lens however it does still offer excellent opportunities with a wide aperture and really beautiful bokeh. Sigma's Art range lenses are designed to help your creative side run free, and this lens is no different. We awarded it a 4.5 star highly recommended rating for its excellent sharpness, close focusing ability and good construction.

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Canon EF 85mm f/1.4

Canon 85mm F1,4l Front Oblique View

Canon's 85mm f/1.4 is a revered lens for portrait photography and this latest version is no different. For full frame cameras, it offers a middling aperture, between the expensive f/1.2 version and cheaper f/1.8 additions of this focal length for Canon users. It's well made, has a beautiful finish and we awarded it a 4.5 star highly recommended rating for excellent sharpness, great handling and fast and accurate AF, as well as being water and dust resistant.

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Nikon AF-S Nikkor 105mm f/1.4E ED 

AF-S NIKKOR 105mm f/1.4E ED
 

There is no doubting the fine qualities of the Nikon AF-S Nikkor 105mm f/1.4E ED lens. It delivers the goods, the images are beautiful and the handling sublime. The only question marks are the cost, plus perhaps the absence of VR. Having said that, if the need is there and the price can be afforded, it is a very special lens that is well worth owning.

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Sigma 85mm f/1.4 DG HSM Art 

Sigma 85mm F1,4 Art Top View With Hood
 

The Sigma 85mm f/1.4 DG HSM Art lens is a high-class, highly competent design that performs confidently and efficiently. It is of the modern breed of 85mm lenses, sharp from open aperture, as opposed to older designs that were intended to be softer wide open for the purposes of flattering portraits. 

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Samyang XP 50mm f/1.2 - 

Samyang Xp 50mm F1,2 Front Oblique View

Samyang's 50mm f/1.2 is a re-invention of a classic Samyang lens, offering a bright f/1.2 aperture. it's not a light lens, weighing in at 1200g, however it balances well on the Canon EOS 5DSR used for testing. We gave the lens a 4.5 star highly recommended rating for its excellent and consistent sharpness, low distortion and beautiful bokeh. 

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Canon EF 85mm f/1.8 USM 

Canon Ef 85mm F1 8 Angled

The Canon EF 85mm f/1.8 lens is excellent value for money, and compact for a full-frame lens, giving 85mm view on full-frame cameras, or 136mm equivalent on Canon APS-C crop sensor Digital SLRs. Available in Canon mount only.

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Nikon 85mm f/1.4 and f/1.8 G  

Nikon85mmf14

The Nikon AF-S Nikkor 85mm lens is available as an f/1.4 or f/1.8 lens and offers 85mm view on a full-frame DSLR, or a 127mm equivalent on APS-C crop sensor Digital SLRs. These updated lenses are available in Nikon mount only, and both scored well in our reviews. 

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Nikon AF-S Nikkor 85mm f/1.8G Review.

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Nikon 50mm f/1.4 and f/1.8 G -

Nikon 50mm F1 4g Lens
The Nikon AF-S Nikkor 50mm lens is available as an f/1.4 or f/1.8 lens and offers the "standard" 50mm view on a full-frame DSLR, or a 75mm equivalent on APS-C crop sensor Digital SLRs. These updated lenses are available in Nikon mount only, and both scored well in our reviews. 

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Nikon AF-S Nikkor 50mm f/1.8G Review.

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Canon EF 135mm f/2.0 L USM

Canon Ef 135mm F2 L Usm (5)

The Canon EF 135mm f/2 L USM lens is a bright telephoto lens, and some would say the perfect portrait length for a full-frame camera. The bright telephoto lens is equivalent to 216mm when used on an APS-C crop sensor DSLR. The lens is available in Canon mount only.

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Zeiss OTUS 55mm f/1.4  

Zeiss Otus 55mm F1,4 Oblique Front

The Zeiss OTUS 55mm f/1.4 manual focus lens sits at the top of the Zeiss range, with the Zeiss OTUS lenses designed to be the best lenses in the world, and the Zeiss OTUS 55m f/1.4 certainly delivers, with excellent sharpness across the frame. The lens is available in Canon and Nikon lens mounts.

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Zeiss MILVUS 85mm f/1.4 - 

Zeiss Milvus 85mm F1,4 Front Oblique View

The Zeiss Milvus 85mm f/1.4 lens is a manual focus lens, and offers excellent sharpness, at a more affordable price when compared to the Zeiss OTUS 85mm f/1.4 lens. The Zeiss Milvus 85mm f/1.4 is available in Canon and Nikon lens mounts.

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TAMRON SP 45mm f/1.8 Di VC USD - 

Tamron 45mm Sp Vs Usd White Bg

The Tamron SP 45mm f/1.8 VC USD lens gives a slightly wider view than the classic 50mm lens on full-frame cameras, or 67.5mm on APS-C DSLRs, and 72mm on Canon APS-C DSLRs. The lens features built-in vibration correction (VC) image stabilisation, when bought in Canon or Nikon mount, with the Sony (A) mount not featuring built-in image stabilisation, due to Sony Alpha (A) mount cameras featuring built-in sensor-shift image stabilisation.

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Samyang 135mm f/2 - 

Samyang 135mm F2 Lens (1)

The Samyang 135mm f/2 is a bright manual focus lens, offering a long telephoto length of 135mm on full-frame cameras, 202mm on APS-C (1.5x crop) cameras, and 216mm on Canon APS-C (1.6x crop) cameras. The lens is available in a number of different mounts for both DSLRs and Mirrorless cameras. 

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Sigma 50mm f/1.4 DG HSM Art 

Sigma 50mm F1 4 DG Art (1)

The Sigma 50mm f/1.4 DG HSM Art lens is the "Standard" 50mm lens, suitable for full-frame cameras, and available to fit Canon, Nikon, Sony and Sigma SLR cameras, this lens delivers outstanding sharpness in the centre from wide-open at f/1.4, and scored highly in our review for delivering excellent performance.

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Pentax 77mm 1.8 Limited -

Pentax 77mm Limited Side

The SMC Pentax FA 77mm f/1.8 Limited, is a limited edition Pentax lens with a manual aperture ring, manual focus ring, metal body, along with excellent image quality. Which goes some way towards justifying the relatively high price of this lens. The lens covers the full-frame, so will work with the Pentax K-1, but on crop sensor cameras gives the equivalent of 115.5mm in 35mm terms. Available in Pentax K mount form only. 

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Laowa 105mm f/2 STF Smooth Trans Focus - 

Laowa 105mm Stf Front Oblique View

The Laowa 105mm f/2 (T3.2) STF is a lens with an additional background blur control, called "Smooth Trans Focus" that lets you adjust the blur for the background giving sublime, creamy bokeh, whilst the main subject remains sharp. Available in Canon, Nikon, Pentax, Sony A, and Sony E mounts.

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SMC Pentax-FA 50mm f/1.4 

SMC Pentax-FA 50mm f/1.4

 

The 50mm lens was at one time the lens of choice with a new camera, and it is still a very versatile option today. Many photographers will carry such a lens as well as a bag of zooms, and the SMC Pentax-FA 50mm f/1.4 is an excellent choice. The quality is high, the lens handles well and it is an unobtrusive addition to any camera kit.

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Samyang AF 85mm f/1.4 EF

Samyang 85mm F1,4 Front Oblique View
 

This 85mm full frame lens for Canon mount offers a natural looking perspective from a comfortable working distance for portraits. It can focus as close as 90cm and we gave it 4 stars for its high levels of even sharpness and low flare as well as lovely bokeh.

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Canon EF 100mm f/2 USM -

Canon EF 100mm F2 USM (3)

The Canon EF 100mm f/2 USM lens is a compact, bright 100mm prime lens with an f/2.0 aperture, for Canon cameras, both full-frame and APS-C, and it's quite compact, and also good value for money. Available in Canon lens mount only, when used with APS-C sensor cameras, the lens gives the equivalent of 160mm in 35mm terms. 

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If you're looking for more lens options, have a look at some of our latest lens reviews, or why not have a look at our Top 10 Best Macro lenses, as these can also be used for portrait work, although they often don't have as bright an aperture. 

Once you've found the perfect lens for you and your camera, you may want to have a look at some of our top tips on how to get the best out of portrait shoots, including:

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Comments


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8 Aug 2018 12:18PM
Why publish now when Pentax has just rewritten the rule book for 50mm with the new D FA* 50mm 1:1.4 SDM WR?
joshwa Plus
8 861 United Kingdom
8 Aug 2018 1:44PM
Hi Graham, we have not yet reviewed the new Pentax lens, but once we have reviewed it, we will update this list, thanks Josh
No zooms? The Canon 70-200 f/2.8L IS II is my go to people lens.
altitude50 14 13.6k United Kingdom
12 Oct 2018 9:04AM
I would like to mention the Sigma 60mm f 2.8 DN for Sony E mount (made in Japan). At around 150 it is affordable and probably the sharpest most artefact free lens I have ever owned. (And that includes Leitz, Pentax, Minolta, Sony, Nikon, Canon, Tamron, SLR & DSLR lenses).

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