
What kit is best?
When it comes to kit choices for this subject, zoom lenses are useful for selective cropping while a macro lens will get you close to the patterns you're capturing. Pick up a telephoto lens when you want a tighter perspective. A tripod is handy for when you're using a telephoto lens and will also help ensure your shot's straight. A remote release or the camera's self-timer are tools you'll be using quite often, too.
Look for patterns
Subjects that have a pattern that repeats such as a brick wall or the lines found in wooden planks and doors look great but don't think they all have to be symmetrical. Having a variety of colours and lines can work well especially if you have two contrasting objects to work with. Try to find somewhere new buildings meet old and see if any of the strong metal structures overlap or cross the older, softer structures. Head out after it's rained too as surfaces take on a different feel/look when they're damp and covered in water drops.
Don't zoom in too much as often a shot that's taken with a little more distance between you and the subject will look better and that way there's always the option to crop the photo when you're in front of your computer back home.
Cut out the distraction
If there's a distracting object, shadow or mark in the frame either move your feet to find a different angle or use your zoom to cut out of the frame. Try shooting straight on to make your texture as flat as possible before moving on to experiment with different angles as these types of shots are often great for adding to other images and the flatter the surface is the easier it is to use. To emphasise the shapes/textures, position yourself so your light is on one side. This will create a strong shadow and give your shot extra depth.
If you're working on a new building watch out for glare and reflections which can easily be removed by simply moving your feet a little and finally, pay attention to your white balance as you may find the cloudy or shade options produce better results.

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Comments
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my tip: not just looking for (rather boring) textures (which better serve as overlay/background for composites or 3d-renders) - but search for 'hidden faces, figures, shapes' within the textures. you'll be surprised by your findings... and favorite places/cities for that are not - of course! - the super-pimped up new economy high-tech areas with polished surfaces, but really old and noble cities like prague or venice (or birmingham or liverpool
and another quick tip: never try to take close--up/macros at buildings housing banks(ters) and other neuralgic points ... let alone airports or police-stations: you'd caught as terrorist suspect exploring the terrain for assaults
in new york it's even forbidde to take photos in the subway after 09/11 !
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