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A way of reducing harsh contrast by adding light to darker or shaded areas of the subject using a reflective material or flash.
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Many cameras now have a built-in flash that is used to take pictures inside when the light levels are low. Most cameras will have an Auto mode and there are usually several other modes including, Red eye reduction, Off, On, Slow sync.Most SLRs and some compacts have the option of attaching an external flash on an accessory shoe. Some have a sync socket so you can attach a studio flash off the camera for more controllable results. Buying advice: The flash range is often quoted and ones with more power will allow well-exposed pictures to be taken at greater distances. Having several modes increases the camera's versatility. If you would like to use studio flash you can fire heads remotely using your camera's built in flash and a slave unit, but watch out on digital cameras - the flash may not be synchronised correctly. It's better to use a camera with a sync socket. The most useful feature of an auto camera is Flash Off so you can avoid flash when you want to shoot in low light and Flash On to force the flash to fire to get good fill-in light in contrasty conditions.
Many cameras now have a built-in flash that is used to take pictures inside when the light levels are low. The camera detects when flash is needed and automatically fires it, there are usually several other modes to increase the flash's versatility. Red eye reduction fires a pre-flash to prevent large red eye pupils appearing. 'Off' turns an automatic flash off so that the camera can be used with a long shutter speed for night photography. 'On' forces the flash to fire as a fill-in for daylight pictures that have harsh shadows or to illuminate a close subject in a night scene. Slow sync fires flash and records the ambient exposure, which is great for creating image trails and creative subject movement.
A term used to describe a combination of sunlight and flash light, where flash is used as a fill in.