Upload your photos, chat, win prizes and much more
Can't Access your Account?
New to ePHOTOzine? Join ePHOTOzine for free!
Upload photos, chat with photographers, win prizes and much more for free!
I am trying to make a monochrome print.
It was initially a colour pic,I desaturated it and used a sepia toner in PS. I am not entirely happy with the result.
I welcome any comments/suggestions to improve.
These are modifications uploaded by other members of the photo above. Download the photo by right clicking Download Photo and clicking Save As.
Just looks like it could use a bit more contrast to me, nice though
The image looks a bit flat at the moment, so I would suggest you have a go at what I've just quickly done in photoshop.
The first thing that I did was totally desaturate the image as it appeared that part of the image was a sepia colour and other parts not. Then I would have a look at the levels if i were you. If you click on the alt key and click on the white slider or the black slider, you will get to see what areas of the image are completely burnt out and what is complete black.
I adjust the levels to give it a bit more bite.
Then to finish the image (and I've done this quickly) and you can take more time, is to selectively dodge and burn. Dodge the highlights at about 3% and burn the shadows at the same rate. Build up slowly looking at the before and after regularly to see the changes take place slowly.
I haven't commented on the composition as it seems to me that you wanted feedback on the monochrome style. Hope this all helps.
Thankyou Dave, very helpful,I will try your suggestion.
Desaturation is the easiest but worst way to produce a black and white photograph — it gives you no flexibility whatsoever in how colours are converted into shades of grey. Paint Shop Pro has a nice facility for doing black and white conversions by simulating different coloured filters at different strengths, which I usually find to be enough control — perhaps Photoshop has something similar?
If not, the most flexible way is to use the channel mixer. Again, it can be helpful to think in terms of filters: a red filter (100% red, 0% green, 0% blue) will turn pure red to white and pure blues/greens/cyans to black. 100% green and blue work in the corresponding ways and combinations of the red, green and blue channels blend the effects. So, for example, if you want to darken foliage, you'll want to blend mostly the red and blue channels; to lighten it, make the green channel dominate the blend.
The other thing that black and white needs is contrast. Use a curves adjustment layer to adjust the global contrast and, as Morgs suggests, dodge and burn to increase contrast locally. To my eye, sepia toning always seems to decrease the contrast apparent in an image so, if you're using it, it pays to push the contrast a bit further before toning.
Thanks David for your comments and help,I will certainly try that.
ePHOTOzine, the web's friendliest photography community.
Upload photos, chat with photographers, win prizes and much more.
You must be a member to leave a comment
Get the latest photography news straight from ePHOTOzine in your email every month and win prizes!
1st September 2015 - 30th September 2015
Check out ePHOTOzine's inspirational photo month calendar! Each day click on a window to unveil new photography tips, treats and techniques.
View September's Photo Month Calendar