FROM OUTSIDE TO INSIDE (SORT OF)
How to best display these artworks, that were conceived and crafted for such a specific context?
A room dedicated to these Marly statues was opened in the Louvre in 1972, but it was in 1993 that the Cour Marly that we know today came into being. I.M. Pei and Michel Macary covered the old Finance Minister's courtyard with glass, in the same mode as their newly installed glass pyramid.
Natural sunlight streams in the courtyard in orderly grids of shadow and light. A rational series of four ascending levels was installed, designed to imitate the intended angles of viewing the statues.
Beyond the sunlight, the original location of these artworks is evoked through modest ficus trees. Visitors can sit on what look like park benches, spending a moment amidst the statues, basking in the sun's light filtered through the glass ceiling. The museum also made a concerted effort to include reference images on many of the statues' labels that show period engravings of their original placements.
Through minimal elements, the visitor's imagination is free to place the statues back in the gardens.
thanks for looking
oliver
Tags: Monochrome
Black and white
Louvre - paris
Statues and sculptures
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