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Comments
How odd that the outer layers are so much lighter in tone, and with a hard line of separation...?
Quote:How odd that the outer layers are so much lighter in tone, and with a hard line of separation...?
I loved that effect, particularly with the further dark outline of the bark. The logs were quite freshly cut, I don't know the species of tree but the colouring of the cut wood was dramatic, the colour rather dominated the lines. I have another picture to upload tomorrow in colour, with different logs in the foreground. I'll add this one in colour as a version tomorrow if I remember.
Thanks folks and thanks Ollie for the UA.
Moira
Not easy to photograph this subject well but you have done it Moira.
Phil.
Phil.
I presume you counted the rings, so how old are they?
Beautiful texture...
Wonderfully worked woolybill wood.
John
John
Thanks John for the UA, and thanks everyone.
Quote:I presume you counted the rings, so how old are they?
However old, life's too short for ring-counting.
Quote:I presume you counted the rings, so how old are they?
However old, life's too short for ring-counting.
Thanks Roy. Googling a few images, I think you are probably right. Some yew has very strong banding.
They make a very interesting pattern pic, Moira, especially presented in mono 👍
Trev 😀
Trev 😀
Some lovely textures in here. I would like to see it in sepia
Thanks folks, and thanks to John and Alfie for their UAs.
Ooh er! There's a few bowls in there! I like the nicely captured differentiation between the heart wood and the sap wood.
Thanks Graham for the UA, and thanks everyone.
