I wish I knew how this worked. Alasdair Bampton's Sunday Afternoon Project showcases some of his music pupils half a dozen times a year. This is Lynsey, who really has a wonderful voice.
So, one flashgun, offset mounted on camera, about 200 - 250 mm to the left of the lens centre. A second, slave, flashgun on a shelf about a metre above Lynsey's head just to brighten the background. Standard sync setting on both units. So how is the printing on the mic clear and sharp, in the original, and all that motion blur around most of Lynsey's face? I may never know . . .
Flash and lighting
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