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It would be quite difficult to remove the car as there is nothing in the foreground to clone or blend from. Any modification here would be very obvious and be more distracting than the car itself.
The main subject could be cut out and placed on another suitable background but this would look false due to the falling snow which is a very essential part of the image.
So my suggestion is to use a white vignette which keeps the integrity of the image and reduces the distraction of the car
The main subject could be cut out and placed on another suitable background but this would look false due to the falling snow which is a very essential part of the image.
So my suggestion is to use a white vignette which keeps the integrity of the image and reduces the distraction of the car
I sort-of agree with Phil - but there's another way to approach the problem.
Instead of trying to remove the car completely, I've just removed the things that make it a car, rather than a pale blobby bit in the out-of-focus background.
I used the Spot Healing Tool, and dabbed at the windscreen, at the bumper, and the numberplate. The first of these extended the girl's hair oddly, and I attacked that with the Clone tool.
I feel that reduces the impact sufficiently that the residue doesn't distract. You could do a similar thing on the opposite side to even the background up, if you wanted.
Instead of trying to remove the car completely, I've just removed the things that make it a car, rather than a pale blobby bit in the out-of-focus background.
I used the Spot Healing Tool, and dabbed at the windscreen, at the bumper, and the numberplate. The first of these extended the girl's hair oddly, and I attacked that with the Clone tool.
I feel that reduces the impact sufficiently that the residue doesn't distract. You could do a similar thing on the opposite side to even the background up, if you wanted.
Smashing set, Danny.
John
John
