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(about the last one - somehow it did not make an impact on me when I saw it, but it surely gained over me, and I started to like it.. But why do I like that? I think the sky and the tree go very well there.. However, in the end it is the sky and tree provides a good reference point.. The sky, even though a tad undefined (to me), presents something of a crystalline nature.. or well, something crystalizing.. Or even one can say a process - when things start deteriorating, only to attain a higher form.. and that this is sky, which is somehow considered akin to heavens makes it all the more important.. )
Here, it is a kind of mysterious.. and again, you have to pass some time so that it forms some meaning in the mind.. It finally does. Lack of contrast working here - it surely takes us to a different world.. I would even say it is a classic piece of work with much value.. It carried a higher significance than just the cawing of crows.. the color here is an important one.. It has an icy coolness about it.. It causes the image to lack drama.. But then there's a sense of peace and freedom about it.. So, in the end I like it a lot..
Regarding the way you made it - I regard this is unimportant.. And Paree says the right thing too.. and actually, I do believe it is one rational way to do it.. I mean - it is great that it should evolve during the process.. That is often a true impression of our own being.. Of course we are skeptical because - we struck it subconsciously and there's a hidden feeling that we have not made that effort, and it was just accidentally achieved.. To me, it is perhaps more important.. When we plan something, I mean something like it, we maybe influenced by so many things.. When we do it through an unplanned process, it becomes a reflection of what we are, how we think..
I am very average in this kind of thing.. must admit.. ans whatever little digital manipulation I have done looks like coming from coincidence.. In reality it is not the case.. As I work with pieces, sometimes textures / articles downloaded from net, the mind itself starts sorting it out in a hidden way.. and it finally sorts things out in a particular direction.. Things that made great impression on our minds, things that torture us, things we love.. anything that had been running in our minds for days..
Ok, enough of the obvious thing..
Here, it is a kind of mysterious.. and again, you have to pass some time so that it forms some meaning in the mind.. It finally does. Lack of contrast working here - it surely takes us to a different world.. I would even say it is a classic piece of work with much value.. It carried a higher significance than just the cawing of crows.. the color here is an important one.. It has an icy coolness about it.. It causes the image to lack drama.. But then there's a sense of peace and freedom about it.. So, in the end I like it a lot..
Regarding the way you made it - I regard this is unimportant.. And Paree says the right thing too.. and actually, I do believe it is one rational way to do it.. I mean - it is great that it should evolve during the process.. That is often a true impression of our own being.. Of course we are skeptical because - we struck it subconsciously and there's a hidden feeling that we have not made that effort, and it was just accidentally achieved.. To me, it is perhaps more important.. When we plan something, I mean something like it, we maybe influenced by so many things.. When we do it through an unplanned process, it becomes a reflection of what we are, how we think..
I am very average in this kind of thing.. must admit.. ans whatever little digital manipulation I have done looks like coming from coincidence.. In reality it is not the case.. As I work with pieces, sometimes textures / articles downloaded from net, the mind itself starts sorting it out in a hidden way.. and it finally sorts things out in a particular direction.. Things that made great impression on our minds, things that torture us, things we love.. anything that had been running in our minds for days..
Ok, enough of the obvious thing..


Quote:Slight lack of contrast but I'm impressed all the same.
Keith.
I take your point Keith - I did try it with more contrast along the creative path to the end result, but decided I preferred the slightly dreamlike quality of a lower contrast. However, a great observation and something I'll bear in mind with subsequent images as more contrast can give extra oomph - it just wasn't right for this one

Quote:(about the last one - somehow it did not make an impact on me when I saw it, but it surely gained over me, and I started to like it.. But why do I like that? I think the sky and the tree go very well there.. However, in the end it is the sky and tree provides a good reference point.. The sky, even though a tad undefined (to me), presents something of a crystalline nature.. or well, something crystalizing.. Or even one can say a process - when things start deteriorating, only to attain a higher form.. and that this is sky, which is somehow considered akin to heavens makes it all the more important.. )
Here, it is a kind of mysterious.. and again, you have to pass some time so that it forms some meaning in the mind.. It finally does. Lack of contrast working here - it surely takes us to a different world.. I would even say it is a classic piece of work with much value.. It carried a higher significance than just the cawing of crows.. the color here is an important one.. It has an icy coolness about it.. It causes the image to lack drama.. But then there's a sense of peace and freedom about it.. So, in the end I like it a lot..
Regarding the way you made it - I regard this is unimportant.. And Paree says the right thing too.. and actually, I do believe it is one rational way to do it.. I mean - it is great that it should evolve during the process.. That is often a true impression of our own being.. Of course we are skeptical because - we struck it subconsciously and there's a hidden feeling that we have not made that effort, and it was just accidentally achieved.. To me, it is perhaps more important.. When we plan something, I mean something like it, we maybe influenced by so many things.. When we do it through an unplanned process, it becomes a reflection of what we are, how we think..
I am very average in this kind of thing.. must admit.. ans whatever little digital manipulation I have done looks like coming from coincidence.. In reality it is not the case.. As I work with pieces, sometimes textures / articles downloaded from net, the mind itself starts sorting it out in a hidden way.. and it finally sorts things out in a particular direction.. Things that made great impression on our minds, things that torture us, things we love.. anything that had been running in our minds for days..
Ok, enough of the obvious thing..

Err, so you liked it then?! (And you think I use too many words!? Sheesh!!! [that's a joke, by the way]



yes, I like them both, Tanya.. They have peculiar moods, which take a bit longer to register in the mind.. There's something beautiful about both of them.. I find there's a sense of something beautiful forming.. You know - things on the way.. and as they are somewhere in between, it takes some time to get it.. I would say - these images are not the straight off the mill.. There's an originality about them.. I would also say - fearlessness on the creator's side.. and as you say - you were skeptical if the viewer would like this one, but you didn't care.. and that's what I like too.. You like it, and that's most important..
No you don't use too many words.. I might have used those words in a particular context.. The amount of words you use only shows how much you care about new photographers..
and oh, yes.. I wrote too many words here.. But actually, when I make a discovery I get too excited.. Like these two images.. and I was just making a point that you need not worry about your creativity.. you are very creative.. I have seen your entire portfolio.. and when you use digital manipulation, it is to some good effect..
No you don't use too many words.. I might have used those words in a particular context.. The amount of words you use only shows how much you care about new photographers..
and oh, yes.. I wrote too many words here.. But actually, when I make a discovery I get too excited.. Like these two images.. and I was just making a point that you need not worry about your creativity.. you are very creative.. I have seen your entire portfolio.. and when you use digital manipulation, it is to some good effect..

Ach, what can I say ?? Learning can be great fun when you give up all control over where it leads you 
Almost nothing is original any more, sadly ... however, in the process of being inspired by someone else's work and even, to a point, copying ideas, make it your own creation along the way. It's far more satisfying

Almost nothing is original any more, sadly ... however, in the process of being inspired by someone else's work and even, to a point, copying ideas, make it your own creation along the way. It's far more satisfying
