Comments
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On V1, the heart of this is the expressions - trouble waiting to happen?
Some distractions in the background: the top of the wall, and the tree right behind a head. Shooting from a few inches higher would have sorted the one, and a move to the side the other.
Too many variants to comment on all of them: overall, I reckon you've framed too aggressively at times, and cut off (for instance) the top of a head in V9, and there are several arms looking amputated.
However, dealing with two models is very hard work: much more so than one. (I say on the basis of very little experience of working iwth two models! But the little has convinced me!)
I can only suggest practice, practice, practice. Which will be no hardship, I feel!
John
Some distractions in the background: the top of the wall, and the tree right behind a head. Shooting from a few inches higher would have sorted the one, and a move to the side the other.
Too many variants to comment on all of them: overall, I reckon you've framed too aggressively at times, and cut off (for instance) the top of a head in V9, and there are several arms looking amputated.
However, dealing with two models is very hard work: much more so than one. (I say on the basis of very little experience of working iwth two models! But the little has convinced me!)
I can only suggest practice, practice, practice. Which will be no hardship, I feel!
John
Leaps and bounds Iain, leaps and bounds - another great set - have to say your Debs looks a tad nervous in a couple of these... mayhaps it's the midges!!lol
Andy
Andy
Only two points to mention, one is work with a single model specially the model in red is more confident and attractive, work with her , and the other is use some simple backgrounds where your work highlihgt more rather then the other things which distract the eyes.
