Take your photography to the next level and beyond...

  • NEWS
  • REVIEWS
  • INSPIRATION
  • COMMUNITY
  • COMPETITIONS

Why not join for free today?

Join for Free

Your total photography experience starts here


Enter ePHOTOzine's Prize Draw, with fab gifts for everyone! Click Here

Activity

pablophotographer

Hello!

You are welcome to look through my pictures and leave comments. All pictures are my copyright.
Critique or advice are always appreciated. As is your time to write it, also.

Similarly, if you think my critique was helpful please remember to nominate it as Constructive Critique. I may not be very as well as I want to be, able to take the pictures I want, but I am happy to make others to improve theirs. Knowledge should be shared for the benefit of everyone.

All the best to your photographic journey.
...Read More
Profile

A quick view of pablophotographer's recent activity.

  • Gin & Tonic Anyone !

    I will stick to sangria but that doesn't mean I don't like your image
    • 3 Dec 2016 9:23AM
  • December 1st

    Simple, elegant, effective.
    pablophotographer
    • 2 Dec 2016 8:51AM
  • Go with the flow

    Amigo, did you use read these black and white comics as a child? Great graphic artwork. Simplistic or elaborate, it did train my eye to perceive the formations of the contours and the textures easily.
    You mention the water... I admire the play of nature on the trees. I notice the discussion between the two caricatures. The faces of the figure top left, angry, hostile and the laughter of the one on the right, a bust of a man who reminded me the late actor playing the dad of the little house on the prairie.
    I think that the water reflection and the brightness of the background biased the camera to shut the blades of the aperture a bit faster than needed, so ypou' be ends up with a slightly darker darks.
    Great find!
    pablophotographer
    • 2 Dec 2016 1:52AM
  • Michael

    Clean as a clean shave.
    • 2 Dec 2016 1:14AM
  • Lost Horse

    Un caballo!
    Hola!
    Tomorrow is as far as a day or the eternity. So you did well shooting it at the moment you have found it, as it could not be there the next day. I have not paid attention to the metadata but I did notice items that could be omitted from the frame, like the car on the left ads well as the bright window. Who can stop the Scissorhand? Chop vertically on the left and horizontally from top and bottom. Leave the bench, the caballo and the window on the right in mono and get Rollin', Rollin', Rollin', Rawhiiiide!
    pablophotographer
    • 2 Dec 2016 12:35AM
  • Here's looking at you, kid

    The look she gives is strong. I think colourwise white skin on a beige background is weak. Say, the upholstery and the rest of the soft furnishings were in any strong colour ebony black, forest green, burgundy, Chinese blue, she would appear striking. Lightwise, the torso is darker because of the shadow created by the pose. The leg appears far brighter than the torso which should not be the case to my opinion. A reflector or a secpond light source on the right and above her would even the diffetrence. Unless....
    pablophotographer
    • 1 Dec 2016 9:11PM
  • Hoots Man!!

    Ah, at Ramajastan they call this ''Breath of Fire''. What is a Hoots?
    • 30 Nov 2016 11:58AM
  • Farewell Barbara.
    My condolences to your family and your many friends for their sudden loss.
    pablophotographer
  • Cameras and software can make all photographers equal.
    Your work shows me that you are someone who photographs with their heart. Do never lose that.
    Our gaze can make our photographs special, our feelings can make them unique.
    pablophotographer
  • Beautiful images, properly taken. Angles, colours themes are well studied and presented. Applauds.
    pablophotographer
    • Posted on seahawk's profile
    • 1 Sep 2016 11:05AM
  • Refreshing, imaginative, daring storytelling. Bravo!
  • Welcome back Ross.
    • Posted on Ross_D's profile
    • 29 Jan 2014 10:50PM
  • I came to notice Iain due to a skillful set of pictures he had taken, quite innovative, very clear as concepts, and excellently executed.
    The last characterises all of his portfolio, as his skill shine.
    Iain is a proof that it is much better for a photographer to stop worrying about the equipment and start focusing on knowing to put it in good use and also of how important the imagination is for turning the ordinary into spectacular.
  • Tactile, well seen and well shot pictures. Congratulations IgorKo!
    • Posted on IgorKo's profile
    • 14 Mar 2013 3:13PM
  • I speak in a language which is not my own, with the conventions it has and it places on my opinion for Alda's work. I hope I shall be understood.

    Alda does not "take pictures" as a photographer. She "makes pictures" like a painter does. A painter has an idea, or a stimulus, and works with his/her tools to make it. I think Alda does the same but instead of brushes, she uses a camera. She portrays "inner thoughts" which she turns into images for other people to see. Not many people have that charisma and that doesn't mean any less for people who shoot more "formal" type of pictures.
    • Posted on Alda's profile
    • 3 Mar 2013 8:00PM
  • I shall agree with Karl above, I came to know glenn's work through his kind advice. His work is a meticulous celebration of light, shapes and life. His shots are well thought, not just opportunistic or lucky, "Sans tÍte", "Joy ride" prove a photographer who is not only able to conceptualise a picture but is readily prepared to make it happen also. I wish you all the best Glenn, it is a pleasure and honour to have you here.
    • Posted on GlennH's profile
    • 26 Feb 2013 9:10AM
  • Great work. Lighting, composing, timing work perfectly and harmoneously. Bravo.