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As I presented in the March/April 2012 issue of View Camera magazine and at the 2013 APIS in Santa Fe, the chrysotype is no longer a grainy, contrasty image, usually red. No longer do you have to humidify paper in the frequently vain hope you will actually get an image. Now you can print gold photographs that are close to platinum in quality. Effortlessly and affordably, with a fine print every time and easily repeated for negative after negative.
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