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Thanks all!
And a big "D'oh!" for not getting my facts right before spouting them out here, I think I meant to write "most northern point on Northern Ireland" (I'm sure thats what the lady in the B&B told me anyway!) Good job I dont work for the Tourist Board. Thanks for pointing that out Mike! Steve
And a big "D'oh!" for not getting my facts right before spouting them out here, I think I meant to write "most northern point on Northern Ireland" (I'm sure thats what the lady in the B&B told me anyway!) Good job I dont work for the Tourist Board. Thanks for pointing that out Mike! Steve

Many thanks to all, its amazing how easy it is to skip over some shots without giving them any attention.
Hi Michael and Lydia, I do not use any filters on camera because I like to keep the image as sharp and flare-free as possible; any ND graduation is done in PS. For highly contrasting situations I will take two exposures and blend them,; there wasnt so much contrast in this case so I simply shot one RAW exposure and applied a black gradient in PS (in 16-bit) and set it to "soft light". This method is highly flexible e.g. I can set gradations from both corners of the sky to give a vignetted appearance.
Other than this I applied an 81A warming filter in PS (again, preferable these days to physical filters) to warm the colours even further (this was last light)- although I shot in RAW and had the option to warm colours by altering the colour temperature in the RAW conversion process, I think the 81A filter gives a unique appearance, though it definitely only suits certain situations.
Cheers, Steve
Hi Michael and Lydia, I do not use any filters on camera because I like to keep the image as sharp and flare-free as possible; any ND graduation is done in PS. For highly contrasting situations I will take two exposures and blend them,; there wasnt so much contrast in this case so I simply shot one RAW exposure and applied a black gradient in PS (in 16-bit) and set it to "soft light". This method is highly flexible e.g. I can set gradations from both corners of the sky to give a vignetted appearance.
Other than this I applied an 81A warming filter in PS (again, preferable these days to physical filters) to warm the colours even further (this was last light)- although I shot in RAW and had the option to warm colours by altering the colour temperature in the RAW conversion process, I think the 81A filter gives a unique appearance, though it definitely only suits certain situations.
Cheers, Steve